IUMA Indice Unico Musica e Articoli
(Miscellanea: Musica e Saggi)
A - B - C - D - E - F - G - H - I - J - K - L - M - N
O - P - Q - R - S - T - U - V - W - X - Y - Z
A
AGNESI, MARIA TERESA AGRELL, JOHAN JOACHIM AGRICOLA, JOHANN FRIEDRICH ALBERTI, DOMENICO ALBINONI, TOMASO ALLEGRI, GREGORIO ALTNICKOL, JOHANN CHRISTOPH ANONYMOUS, Anonymous ARNE, THOMAS ASPRELLA, MIRCO AVISON, CHARLES
B
BABELL, WILLIAM BABOU, THOMAS BACH, CARL PHILIPP EMANUEL - - (BWV Anh. 122) Notenbüchlein für Anna Magdalena Bach (1725): March in D major (attr. CPE Bach) - (BWV Anh. 123) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G minor (attr. CPE Bach) - (BWV Anh. 124) Notenbüchlein für Anna Magdalena Bach (1725): March in G major (attr. CPE Bach) - 12 Variationes über die Folie d'Espagne, Wq.118/9 [H.263] - Alla Polacca in C major Wq. 116/4, H. 215 - Alla Polacca in D major Wq. 112/17, H. 170 - Alla Polacca in a minor Wq. 112/5, H. 166 - Alla Polacca in g minor Wq. 112/11, H. 168 - Amalien Sonaten: Sonata No.1 in F Major, Wq. 50/1, H.136 (1760) - Amalien Sonaten: Sonata No.2 in G Major, Wq. 50/2, H.137 (1760) - Amalien Sonaten: Sonata No.3 in A Minor, Wq. 50/3, H.138 (1760) - Amalien Sonaten: Sonata No.4 in D Minor, Wq. 50/4, H.139 (1760) - Amalien Sonaten: Sonata No.5 in B-flat Major, Wq. 50/5, H.126 (1760) - Amalien Sonaten: Sonata No.6 in C Minor, Wq. 50/6, H.140 (1760) - Arioso con 7 variazioni in F major W. 118/4, H. 54 - Clavierstücke in A major Wq. 117/1, H. 241 - Damen Sonaten: Sonata No.1 in F Major, Wq. 54/1, H. 204 (1770) - Damen Sonaten: Sonata No.2 in C Major, Wq. 54/2, H. 205 (1770) - Damen Sonaten: Sonata No.3 in D Minor, Wq. 54/3, H. 184 (1770) - Damen Sonaten: Sonata No.4 in B-flat Major, Wq. 54/4, H. 206 (1770) - Damen Sonaten: Sonata No.5 in D Major, Wq. 54/5, H. 185 (1770) - Damen Sonaten: Sonata No.6 in A Major, Wq. 54/6, H. 207 (1770) - Fantasia d-moll, Wq. 117/15, H. 195 (1765) - Fantasia in B flat major Wq. 112/8, H. 146 - Fantasia in D major Wq. 112/2, H. 144 - Fantasia in F major Wq. 112/15, H. 148 - Fantasia in G major Wq. 117/11, H. 223 - Fantasia in d minor Wq. 117/12, H. 224 - Fortsetzung Sonaten: Sonata No.2 in B-flat Major, Wq. 51/2, H. 151 (1761) - Fortsetzung Sonaten: Sonata No.3 in C Minor, Wq. 51/3, H. 127 (1761) - Fortsetzung Sonaten: Sonata No.4 in D Minor, Wq. 51/4, H. 128 (1761) - Fortsetzung Sonaten: Sonata No.5 in F Major, Wq. 51/5, H. 141 (1761) - Fortsetzung Sonaten: Sonata No.6 in G Minor, Wq. 51/6, H. 62 (1761) - Fuga a 2 d-moll, Wq. 119/2, H. 99 (1755) - Kleinesonaten (Sonatine): Sonatina I in F Major, Wq. 64/1, H. 7 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina II in G Major, Wq. 64/2, H. 8 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina III in A Minor, Wq. 64/3, H. 9 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina IV in E Minor, Wq. 64/4, H. 10 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina V in D Major, Wq. 64/5, H. 11 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina VI in C Minor, Wq. 64/6, H. 12 (1734/rev.1744) - L'Aly Rupalich 'La Bach' W. 117/27, H. 95 - L'Auguste (Polonoise) W. 117/22, H. 122 - L'Ernestine W. 117/38, H. 124 - L'Herrmann W. 117/23, H. 92 - L'Irresoluë W. 117/31, H. 111 - La Bergius W. 117/20, H. 90 - La Boehmer W. 117/26, H. 81 - La Borchward (Polonoise) W. 117/17, H. 79 - La Buchholtz W. 117/24, H. 93 - La Capricieuse W. 117/33, H. 113 - La Caroline W. 117/39, H. 98 - La Complaisante W. 117/28, H. 109 - La Gabriel W. 117/35, H. 97 - La Gause W. 117/37, H. 82 - La Gleim (Rondeau) W. 117/19, H. 89 - La Journalière W. 117/32, H. 112 - La Louise W. 117/36, H. 114 - La Philippine W. 117/34, H. 96 - La Pott (Menuet) W. 117/18, H. 80 - La Prinzette W. 117/21, H. 91 - La Stahl W. 117/25, H. 94 - La Xénophon 'La Sybille' W. 117/29, H. 123 - Leichte Sonaten: Sonata No.3 a-moll, Wq. 53/3, H. 181 (1766) - Les Langueurs tendres W. 117/30, H. 110 - Minuetto in C major Wq. 116/5, H. 216 - Minuetto in D major Wq. 116/3, H. 214 - Minuetto in F major Wq. 116/7, H. 218 - Solfeggio in A major Wq. 117/4, H. 222 - Solfeggio in E flat major Wq. 117/3, H. 221 - Solfeggio in G major Wq. 112/4, H. 145 - Solfeggio in c minor Wq. 117/2, H. 220 - Solo per il Cembalo BWV Anh 129 (an early version of Sonata in E flat major Wq. 65/7, H. 16) - Sonata (Suite) in e Minor, Wq.62/12; H.66 - Sonata B-dur Wq.62/1; H.2 - Sonata h-moll, Wq. 62/22, H. 132 (1758/60) - Sonata in A Major, Wq.55/4; H.186 - Sonata in E Major, Wq.62/5; H.39 - Sonata in a Minor, Wq.50/3; H.138 - Sonata in d Minor, Wq.62/4; H.38 - Sonata in f minor, Wq.62/6; H.40 - Sonate Prussiane: Sonata No.1 in F Major, Wq. 48/1, H.24 (1742) - Sonate Prussiane: Sonata No.2 in B-flat Major, Wq. 48/2, H.25 (1742) - Sonate Prussiane: Sonata No.3 in E Major, Wq. 48/3, H.26 (1742) - Sonate Prussiane: Sonata No.4 in C Minor, Wq. 48/4, H.27 (1742) - Sonate Prussiane: Sonata No.5 in C Major, Wq. 48/5, H.28 (1742) - Sonate Prussiane: Sonata No.6 in A Major, Wq. 48/6, H.29 (1742) - Sonatina I in G major (Allegro) Wq. 63/7, H. 292 - Sonatina II in E major Wq. 63/8, H. 293 - Sonatina III in D major (Allegretto) Wq. 63/9, H. 294 - Sonatina IV in B flat major (Allegretto) Wq. 63/10, H. 295 - Sonatina V in F major (Andante) Wq. 63/11, H. 296 - Sonatina VI in d minor (Prestissimo) Wq. 63/12, H. 297 - Württemberg Sonatas: Sonata I in A Minor, Wq. 49/1, H. 30 (1744) - Württemberg Sonatas: Sonata II in A-flat Major, Wq. 49/2, H. 31 (1744) - Württemberg Sonatas: Sonata III in E Minor, Wq. 49/3, H. 32 (1744) - Württemberg Sonatas: Sonata IV in B-flat Major, Wq. 49/4, H. 33 (1744) - Württemberg Sonatas: Sonata V in E-flat Major, Wq. 49/5, H. 34 (1744) - Württemberg Sonatas: Sonata VI in B Minor, Wq. 49/6, H. 36 (1744) - [obsolete recording] Preussischen Sonaten: no.1, Wq.48/1 - [obsolete recording] Preussischen Sonaten: no.2, Wq.48/2 - [obsolete recording] Preussischen Sonaten: no.3, Wq.48/3 - [obsolete recording] Preussischen Sonaten: no.4, Wq.48/4 - [obsolete recording] Preussischen Sonaten: no.5, Wq.48/5 - [obsolete recording] Preussischen Sonaten: no.6, Wq.48/6 -
 by F. De Luca
BACH, JOHANN CHRISTIAN BACH, JOHANN SEBASTIAN - - (BWV 1079) Ricercare a 6 voci ("Musicalisches Opfer") - (BWV 1080) Contrapunctus XIV - (BWV 1080) Contrapunctus XIV (reconstructed by Davitt Moroney [G. Henle Verlag, 1989]) - (BWV 1080) Die Kunst der Fuge - (BWV 772) Inventio 1 C-Dur - (BWV 773) Inventio 2 c-moll - (BWV 774) Inventio 3 D-Dur - (BWV 775) Inventio 4 d-moll - (BWV 776) Inventio 5 Es-Dur - (BWV 777) Inventio 6 E-Dur - (BWV 778) Inventio 7 e-moll - (BWV 779) Inventio 8 F-Dur - (BWV 780) Inventio 9 f-moll - (BWV 781) Inventio 10 G-Dur - (BWV 782) Inventio 11 g-moll - (BWV 783) Inventio 12 A-Dur - (BWV 784) Inventio 13 a-moll - (BWV 785) Inventio 14 Hs-Dur - (BWV 786) Inventio 15 h-moll - (BWV 787) Sinfonia 1 C-Dur - (BWV 788) Sinfonia 2 c-moll - (BWV 789) Sinfonia 3 D-Dur - (BWV 790) Sinfonia 4 d-moll - (BWV 791) Sinfonia 5 Es-Dur - (BWV 792) Sinfonia 6 E-Dur - (BWV 793) Sinfonia 7 e-moll - (BWV 794) Sinfonia 8 F-Dur - (BWV 795) Sinfonia 9 f-moll - (BWV 796) Sinfonia 10 G-Dur - (BWV 797) Sinfonia 11 g-moll - (BWV 798) Sinfonia 12 A-Dur - (BWV 799) Sinfonia 13 a-moll - (BWV 800) Sinfonia 14 Hs-Dur - (BWV 801) Sinfonia 15 h-moll - (BWV 806) Englische Suite No.1 - (BWV 807) Englische Suite No.2 - (BWV 808) Englische Suite No.3 - (BWV 809) Englische Suite No.4 - (BWV 810) Englische Suite No.5 - (BWV 811) Englische Suite No.6 - (BWV 812) Französische Suiten - 1. Suite d-Moll - (BWV 813) Französische Suiten - 2. Suite c-Moll - (BWV 814) Französische Suiten - 3. Suite h-Moll - (BWV 815) Französische Suiten - 4. Suite Es-Dur - (BWV 816) Französische Suiten - 5. Suite G-Dur - (BWV 817) Französische Suiten - 6. Suite E-Dur - (BWV 818a) Suite in A Minor - (BWV 822) Ouverture g-moll - (BWV 825) Clavierübung Teil I: Partita I B-Dur - (BWV 826) Clavierübung Teil I: Partita II c-Moll - (BWV 827) Clavierübung Teil I: Partita III a-Moll - (BWV 828) Clavierübung Teil I: Partita IV D-Dur - (BWV 829) Clavierübung Teil I: Partita V G-Dur - (BWV 830) Clavierübung Teil I: Partita VI e-Moll - (BWV 831) Ouverture-Partita h moll - (BWV 846) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.01 - (BWV 847) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.02 - (BWV 848) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.03 - (BWV 849) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.04 - (BWV 850) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.05 - (BWV 851) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.06 - (BWV 852) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.07 - (BWV 853) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.08 - (BWV 854) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.09 - (BWV 855) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.10 - (BWV 856) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.11 - (BWV 857) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.12 - (BWV 858) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.13 - (BWV 859) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.14 - (BWV 860) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.15 - (BWV 861) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.16 - (BWV 862) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.17 - (BWV 863) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.18 - (BWV 864) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.19 - (BWV 865) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.20 - (BWV 866) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.21 - (BWV 867) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.22 - (BWV 868) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.23 - (BWV 869) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.24 - (BWV 870) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.01 - (BWV 871) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.02 - (BWV 872) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.03 - (BWV 873) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.04 - (BWV 874) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.05 - (BWV 875) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.06 - (BWV 876) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.07 - (BWV 877) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.08 - (BWV 878) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.09 - (BWV 879) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.10 - (BWV 880) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.11 - (BWV 881) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.12 - (BWV 882) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.13 - (BWV 883) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.14 - (BWV 884) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.15 - (BWV 885) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.16 - (BWV 886) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.17 - (BWV 887) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.18 - (BWV 888) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.19 - (BWV 889) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.20 - (BWV 890) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.21 - (BWV 891) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.22 - (BWV 892) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.23 - (BWV 893) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.24 - (BWV 894) Prelude and Fugue in A Minor - (BWV 895) Präludium und Fuge a-moll - (BWV 897) Preludio e Fuga a-moll (spurious) - (BWV 903) Chromatic Fantasia and Fugue in D Minor - (BWV 904) Fantasia and Fuga in a minor - (BWV 905/Anh.II 87) Fantasia e Fuga d-moll (doubtful work) - (BWV 906) Fantasia and Fugue in c minor - (BWV 909) Concerto e Fuga c-moll - (BWV 910) Toccata fis-moll - (BWV 911) Toccata c-moll - (BWV 912) Toccata D-dur - (BWV 913) Toccata d-moll - (BWV 914) Toccata e-moll - (BWV 915) Toccata g-moll - (BWV 916) Toccata G-dur - (BWV 917/956) Fantasia and Fuga in g minor - (BWV 920) Fantasia g-moll - (BWV 921) Fantasia c-moll (doubtful work) - (BWV 922) Fantasia [o Preludio] in A Minor - (BWV 923) Preludio in B Minor - (BWV 924) Prelude C-Dur (Praeambulum) - (BWV 925) Prelude D-Dur - (BWV 926) Prelude d-moll - (BWV 927) Prelude F-Dur (Praeambulum) - (BWV 928) Prelude F-Dur - (BWV 929) Prelude g-moll (Trio) - (BWV 930) Prelude g-moll (Praeambulum) - (BWV 933) Prelude in C-Dur - (BWV 934) Prelude in c-moll - (BWV 935) Prelude in d-moll - (BWV 936) Prelude in D-Dur - (BWV 937) Prelude in E-Dur - (BWV 938) Prelude in e-moll - (BWV 939) Prelude in C-Dur - (BWV 940) Prelude in d-moll - (BWV 941) Prelude in e-moll - (BWV 942) Prelude in a-moll - (BWV 943) Prelude in C-Dur - (BWV 944) Fantasia and Fugue in A Minor - (BWV 947) Fuga in A Minor - (BWV 948) Fuga in D Minor - (BWV 951) Fuga in B Minor 'su tema di Albinoni' - (BWV 961) Fughetta c-moll - (BWV 964) Sonata in d minor - (BWV 967) Sonata in A Minor - (BWV 971) Concerto nach italiänischem Gusto [Concerto italiano] in F Major - (BWV 972) Concerto I in D major (after Violin Concerto in D major, Op.3 No.9, RV 230 by A. Vivaldi) - (BWV 973) Concerto II in G major (after Violin Concerto in G major, Op.7/II No.2, RV 299 by A. Vivaldi) - (BWV 974) Concerto III in D minor (after Oboe Concerto in D minor, S.Z799 by A. Marcello) - (BWV 975) Concerto IV in G minor (after Violin Concerto in G minor, Op.4 No.6, RV 316, by A. Vivaldi) - (BWV 976) Concerto V in C major (after Violin Concerto in E major, Op.3 No.12, RV 265 by A. Vivaldi) - (BWV 977) Concerto VI in C major (source unidentified) - (BWV 978) Concerto VII in F major (after Violin Concerto in G major, Op.3 No.3, RV 310 by A. Vivaldi) - (BWV 979) Concerto VIII in B minor (after a Concerto in D minor by G. Torelli or Vivaldi's RV Anh. 10) - (BWV 980) Concerto IX in G major (after Violin Concerto in B-flat minor, Op.4 No.1, RV 381, by A. Vivaldi) - (BWV 981) Concerto X in C minor (after Violin Concerto in C minor, Op.1 No.2, by B. Marcello) - (BWV 982) Concerto XI in B flat major (after No.1 of the 6 Violin Concertos, Op.1, by Johann Ernst Prinz von Sachsen-Weimar) - (BWV 983) Concerto XII in G minor (source unidentified) - (BWV 984) Concerto XIII in C major (after Violin Concerto in C major, Op.1 No.4, by Johann Ernst Prinz von Sachsen-Weimar) - (BWV 985) Concerto XIV in G minor (after Violin Concerto, TWV 51:g1 by G.P. Telemann) - (BWV 986) Concerto XV in G major (source unidentified) - (BWV 987) Concerto XVI in D minor (after one of the 6 Violin Concertos, Op.1, by Johann Ernst Prinz von Sachsen-Weimar) - (BWV 988) Goldberg-Variationen - (BWV 989) Aria variata alla maniera Italiana a-moll - (BWV 990) Sarabande con Partite C-Dur - (BWV 992) Capriccio 'sopra la lontananza del suo fratello dilettissimo' in B-flat Major - (BWV 993) Capriccio 'honorem Johann Christoph Bach ii' E-Dur - (BWV 995) Suite in g minor - (BWV 996) Suite in e minor - (BWV 997) Partita in c minor - (BWV 998) Preludio, Fuga e Allegro Es-Dur - (BWV 999) Preludio c-moll - (BWV Anh. 101) Fuge g-moll - (BWV Anh. 113) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in F major - (BWV Anh. 114) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in G major (attr. C. Petzold) - (BWV Anh. 115) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in G minor (attr. C. Petzold) - (BWV Anh. 116) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in G major - (BWV Anh. 117a) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in F major - (BWV Anh. 118) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in B-flat major - (BWV Anh. 119) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G minor - (BWV Anh. 120) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in A minor - (BWV Anh. 121) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in C minor - (BWV Anh. 122) Notenbüchlein für Anna Magdalena Bach (1725): March in D major (attr. CPE Bach) - (BWV Anh. 123) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G minor (attr. CPE Bach) - (BWV Anh. 124) Notenbüchlein für Anna Magdalena Bach (1725): March in G major (attr. CPE Bach) - (BWV Anh. 126) Notenbüchlein für Anna Magdalena Bach (1725): Musette in D major (by G. P. Telemann?) - (BWV Anh. 127) Notenbüchlein für Anna Magdalena Bach (1725): March in E-flat major - (BWV Anh. 128) Notenbüchlein für Anna Magdalena Bach (1725): [Polonaise] in D minor - (BWV Anh. 130) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G major (by J. A. Hasse?) - (BWV Anh. 131) Notenbüchlein für Anna Magdalena Bach (1725): [Gavotte] in F major - (BWV Anh. 132) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in D minor - (BWV Anh. 85) Toccata f-moll - (BWV deest) Praeludium g-moll (doubtful work) - Fuga e-moll (spurious work) known as 'Anonymous: Fuga per il Clavi Cembalo' (ULB Mus.Ms.1426 Darmstadt) - [Transcription] (BWV 1004) Ciaccona (transcribed / transposed to G Minor by P. Gouin) - [Transcription] (BWV 1004) Partita II d-moll per violino solo (adaptée pour le clavecin par P. Gouin) - [obsolete recording] Chromatic Fantasia and Fugue, BWV 903 - [obsolete recording] Concerto Italiano, BWV 971 - [obsolete recording] English Suite no.2, in a minor, BWV 807 - [obsolete recording] English Suite no.3, in g minor, BWV 808 - [obsolete recording] Suites Françaises: 1. Première suite en ré mineur, BWV 812 - [obsolete recording] Suites Françaises: 2. Deuxième suite en do mineur, BWV 813 - [obsolete recording] Suites Françaises: 3. Troisième suite en si mineur, BWV 814 - [obsolete recording] Suites Françaises: 4. Quatrième suite en mi bémol maj, BWV 815 - [obsolete recording] Suites Françaises: 5. Cinquième suite en sol maj, BWV 816 - [obsolete recording] Suites Françaises: 6. Sixième suite en mi maj, BWV 817 - [obsolete recording] Toccata in d minor, BWV 913 - [obsolete recording] Toccata in e minor, BWV 914 -
by F. De Luca
BACH, WILHELM FRIEDEMANN BACH ("Hallescher Clavier-Bach"), JOHANN CHRISTIAN BALBASTRE, CLAUDE-BÉNIGNE BAMBINI, FELICE BARRIÈRE, JEAN BASSANI, GIOVANNI BATTISTA BEAUVARLET-CHARPENTIER, JEAN-JACQUES BEETHOVEN, LUDWIG VAN BELLI, DOMENICO BELLINI, VINCENZO TOBIA NICOLA BERSANETTI, GIANLUCA BERTONI, FERDINANDO BLOW, JOHN BOCCHERINI, LUIGI BON, ANNA BONONCINI, ANTONIO MARIA BONONCINI, GIOVANNI BOYCE, WILLIAM - - 1. Voluntary I in D major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 10. Voluntary X in G major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 2. Voluntary II in G major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 3. Voluntary III in C major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 4. Voluntary IV in G minor (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 5. Voluntary V in D major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 6. Voluntary VI in C major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 7. Voluntary VII in D minor (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 8. Voluntary VIII in C major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 9. Voluntary IX in A minor (Ten Voluntaries for the Organ or Harpsichord, London c1779) - Voluntary in a-minor - Voluntary in d-minor - Voluntary in g-minor -
by F. De Luca
BRESCIANELLO, GIUSEPPE ANTONIO - Tisbe. Il Gusto Barocco, dir: Jörg Halubek
 recensione di M. Frigeni
BURNEY, CHARLES - - Introduction and Fugue in e minor (c.1787) - Introduction in e-minor - Preludes, Fugues And Interludes (c1787) - 01 A Minor - Preludes, Fugues And Interludes (c1787) - 02 A Minor - Preludes, Fugues And Interludes (c1787) - 03 A Major - Preludes, Fugues And Interludes (c1787) - 04 A Major - Preludes, Fugues And Interludes (c1787) - 05 B-flat Major - Preludes, Fugues And Interludes (c1787) - 06 B-flat Major - Preludes, Fugues And Interludes (c1787) - 07 C Major - Preludes, Fugues And Interludes (c1787) - 08 C Major - Preludes, Fugues And Interludes (c1787) - 09 C Minor - Preludes, Fugues And Interludes (c1787) - 10 D Major - Six Sonatas For The Harpsichord (1761): Sonata I in A Major - Six Sonatas For The Harpsichord (1761): Sonata II in A Major - Six Sonatas For The Harpsichord (1761): Sonata III in A Major - Six Sonatas For The Harpsichord (1761): Sonata IV in A Major - Six Sonatas For The Harpsichord (1761): Sonata V in A Major - Six Sonatas For The Harpsichord (1761): Sonata VI in A Major - VI Cornet Pieces (1751): 1 Introduz[z]ione in e-minor - VI Cornet Pieces (1751): 2 Cornet I in e-minor - VI Cornet Pieces (1751): 3 Cornet II in A-major - VI Cornet Pieces (1751): 4 Cornet III in D-major - VI Cornet Pieces (1751): 5 Cornet IV in b-minor - VI Cornet Pieces (1751): 6 Cornet V in E-flat-major - VI Cornet Pieces (1751): 7 Cornet VI in B-flat-major - VI Cornet Pieces (1751): 8 Fugue in f-minor -
by F. De Luca
BUXTEHUDE, DIETERICH BYRD, WILLIAM BÒTTARI, DOMENICO BÖHM, GEORG
C
CABANILLES, JUAN BAUTISTA CALDARA, ANTONIO CAMPRA, ANDRÉ CARBONELLI, GIOVANNI STEFANO CARESANA, CRISTOFORO CARISSIMI, GIACOMO CAVALLARO, LENNY CHAMBONNIÈRES, JACQUES CHAMPION (DE) - - Chaconne en Do (from Manuscrit Bauyn) - Chaconne en Fa (from Manuscrit Bauyn) [attr. L. Couperin by A. Curtis, 1970] - Chaconne en Sol (from Manuscrit Bauyn) - Les Pieces de Clavessin, livre 1er (1670): I. Pièces en La Mineur - Les Pieces de Clavessin, livre 1er (1670): II. Pièces en Do Majeur - Les Pieces de Clavessin, livre 1er (1670): III. Pièces en Re Mineur et Majeur - Les Pieces de Clavessin, livre 1er (1670): IV. Pièces en Fa Majeur - Les Pieces de Clavessin, livre 1er (1670): V. Pièces en Sol Mineur et Majeur - Les Pieces de Clavessin, livre 2de (1670): IX. Pièces en Fa Majeur - Les Pieces de Clavessin, livre 2de (1670): VI. Pièces en Do Majeur - Les Pieces de Clavessin, livre 2de (1670): VII. Pièces en Re Mineur - Les Pieces de Clavessin, livre 2de (1670): VIII. Pièces en Re Majeur - Les Pieces de Clavessin, livre 2de (1670): X. Pièces en Sol Mineur et Majeur -
by F. De Luca
CHARPENTIER, MARC-ANTOINE CHAUMONT, LAMBERT CHELLERI, FORTUNATO CHILCOT, THOMAS CIAMPI, VINCENZO CIMAROSA, DOMENICO - - Sonata C. 10: [...], in Sol Maggiore - Sonata C. 11: [...], in La Maggiore - Sonata C. 12 / C. 13 in Re Maggiore - Sonata C. 14: [...], in Do Maggiore - Sonata C. 15: [...], in Sol Maggiore - Sonata C. 16: Andante, in Si bemolle Maggiore - Sonata C. 17: Andante, in Re Minore - Sonata C. 18: Allegro, in Si bemolle Maggiore - Sonata C. 19 / C. 20 / C. 21 in La Maggiore - Sonata C. 1: Allegro, in Si bemolle Maggiore - Sonata C. 2 / C. 3 in La Minore/Maggiore - Sonata C. 22 / C. 23 in Sol Minore/Maggiore - Sonata C. 24: [...], in Fa Maggiore - Sonata C. 25: Andante, in Sol Minore - Sonata C. 26 / C. 27 in Si bemolle Maggiore - Sonata C. 28: [...], in Do Minore - Sonata C. 29: Allegro, in La Maggiore - Sonata C. 30: Allegretto, in Re Maggiore - Sonata C. 31: Allegro, in Fa Maggiore - Sonata C. 32 / C. 33 / C. 34 in Sol Maggiore - Sonata C. 35 / C. 36 in La Maggiore/Minore - Sonata C. 37: Andantino, in Mi bemolle Maggiore - Sonata C. 38: Allegro, in Si bemolle Maggiore - Sonata C. 39: Allegro, in Do Minore - Sonata C. 40: Allegro, in La Maggiore - Sonata C. 41 / C. 42 / C. 43 in Fa Maggiore - Sonata C. 44: Allegro, in Mi bemolle Maggiore - Sonata C. 45 / C. 46 / C. 47 in La Maggiore - Sonata C. 48 / C. 49 / C. 50 in Do Maggiore - Sonata C. 4: Allegretto, in Sol Maggiore - Sonata C. 51 / C. 52 / C. 53 in Sol Maggiore - Sonata C. 54 / C. 55 / C. 56 in Do Maggiore - Sonata C. 57 / C. 58 / C. 59 in La Maggiore - Sonata C. 5: Allegretto, in Do Maggiore - Sonata C. 60 / C. 61 / C. 62 in Si bemolle Maggiore - Sonata C. 63: Allegro, in Re Maggiore - Sonata C. 64: Andantino, in Si bemolle Maggiore - Sonata C. 65: Allegro, in Re Maggiore - Sonata C. 66 / C. 67 / C. 68 in Do Minore - Sonata C. 69: Maestoso, in Si bemolle Maggiore - Sonata C. 6: [...], in Mi Minore - Sonata C. 70: Andantino, in Si bemolle Maggiore - Sonata C. 71: Allegro, in Fa Maggiore - Sonata C. 72: Allegro, in Sol Minore - Sonata C. 73: Allegro, in La Maggiore - Sonata C. 74: Largo, in Mi bemolle Maggiore - Sonata C. 75 / C. 76 in Re Minore/Maggiore - Sonata C. 77: Perfidia, in Si bemolle Maggiore - Sonata C. 78 / C. 79 / C. 80 in Si bemolle Maggiore - Sonata C. 7: [...], in Do Maggiore - Sonata C. 8 / C. 9 in Re Maggiore/Minore - Sonata C. 81: Allegro, in Re Maggiore - Sonata C. 82 (M. 1): [...], in Sol Maggiore - Sonata C. 83 (M. 2): Maestoso, in Fa Maggiore - Sonata C. 84 (M. 3): Rondò, in Fa Maggiore - Sonata C. 85 (M. 4): Maestoso, in Do Maggiore - Sonata C. 86 (M. 5): Andante grazioso, in Si bemolle Maggiore - Sonata C. 87 (M. 6): Allegro moderato, in La Maggiore - Sonata C. 88: Allegro, in Do Maggiore -
by F. De Luca
COLBURN, GRANT CORELLI, ARCANGELO - - [Transcription] Concerto Grosso Op.6, No.01 in Re Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.02 in Fa Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.03 in Do Minore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.04 in Re Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.05 in Si b Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.06 in Fa Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.07 in Re Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.08 in Sol Minore (adapt. Fernando De Luca) - [Transcription] Concerto Grosso Op.6, No.09 in Fa Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.10 in Do Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.11 in Si b Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.12 in Fa Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Sonata Op.5, No.1 in Re Maggiore - [Transcription] Sonata Op.5, No.5 in Sol Minore - [Transcription] Sonata Op.5, No.7 in Re Minore -
by F. De Luca
CORRETTE, MICHEL COTUMACCI, CARLO COUPERIN, ARMAND-LOUIS COUPERIN, FRANÇOIS - - L'Art de toucher le Clavecin (Allemande et VIII Preludes) - Les Baricades Mistérieuses (par le Sixième Ordre, si bémol majeur, 2nd livre) - Ordre I en Sol Mineur (Livre I, 1713) - Ordre II en Re Mineur (Livre I, 1713) - Ordre III en Ut Mineur (Livre I, 1713) - Ordre IV en Fa Majeur (Livre I, 1713) - Ordre V en La Majeur (Livre I, 1713) - Ordre VI en Si b Majeur (Livre II, 1716/17) - Ordre VII en Sol Majeur (Livre II, 1716/17) - Ordre VIII en si mineur (Livre II, 1716/17) - Ordre XI en Do Mineur et Majeur (Livre II, 1716/17) - Ordre XIII en Si Mineur (Livre III, 1722) - Ordre XIX en Re Mineur et Majeur (Livre III, 1722) - Ordre XVII en Mi Mineur (Livre III, 1722) - Ordre XVIII en Fa Mineur (Livre III, 1722) - Ordre XXI en Fa Mineur (Livre IV, 1730) - Ordre XXIV en La Mineur et Majeur (Livre IV, 1730) - Ordre XXV en Mi b Majeur et Do Mineur (Livre IV, 1730) - Ordre XXVI en Fa# Mineur (Livre IV, 1730) - Ordre XXVII en Si Mineur (Livre IV, 1730) - Treizième ordre en si mineur (par la Troisième livre de clavecin) - [Transcription] Troisième Leçon (Leçons de ténèbres à une et à deux voix, 1714) -
by F. De Luca
COUPERIN, LOUIS CROFT, WILLIAM
D
DAGINCOURT [D`AGINCOURT], FRANÇOIS DANDRIEU, JEAN-FRANÇOIS - - Book I, Suite I (1724) - Book I, Suite II (1724) - Book I, Suite III (1724) - Book I, Suite IV (1724) - Book I, Suite V (1724) - Book II, Suite I (1728) - Book II, Suite II (1728) - Book II, Suite III (1728) - Book II, Suite IV (1728) - Book II, Suite V (1728) - Book II, Suite VI (1728) - Book III, Suite I (1734) - Book III, Suite II (1734) - Book III, Suite III (1734) - Book III, Suite IV (1734) - Book III, Suite V (1734) - Book III, Suite VI (1734) - Book III, Suite VII (1734) - Book III, Suite VIII (1734) - Le Concert des Muses (par la Deuxième Suite, Livre II, 1728) - Quatrième Suite en si mineur (Livre II, 1728) - Suite en re mineur (Livre « de jeunesse », 1705) - Troisième suite en mi mineur (Livre I, 1724) -
by F. De Luca
DAQUIN, LOUIS-CLAUDE DE ALMEIDA, FRANCISCO ANTONIO DE BOISMORTIER, JOSEPH-BODIN DE BURY, BERNARD DE LEONARDIS, MARTINO DE LUCA, FERNANDO - - - 6 Sinfonie Veneziane (2011): Sinfonia I in Mi minore - 6 Sinfonie Veneziane (2011): Sinfonia II in La minore - 6 Sinfonie Veneziane (2011): Sinfonia III in Do maggiore - 6 Sinfonie Veneziane (2011): Sinfonia IV in Fa maggiore - 6 Sinfonie Veneziane (2011): Sinfonia V in Re minore la Musichea - 6 Sinfonie Veneziane (2011): Sinfonia VI in Sol minore - Alma Redemptoris Mater (2016) - soprano: Maria Caruso - Cantata per Basso e continuo "Amor trafitto sono dal tuo strale" (1996) - Concerto in Sol Minore, detto il 'San Marco' (comp. ottobre 2016) - De profundis (2016) - basso: Enzo Borghetti - Fantasia c-moll - L'Arcadia in Gianicolo: Sonata I in re maggiore Diana e Atteone (dedicated to the composer Miguel Robaina) - L'Arcadia in Gianicolo: Sonata II in sol minore Acis Galatea e Polifemo - L'Arcadia in Gianicolo: Sonata III in sol minore Venere e Adone, ovvero La morte di Adone - L'Arcadia in Gianicolo: Sonata IV in la maggiore Amore e Psiche, ovvero Scherzi di Amore - L'Arcadia in Gianicolo: Sonata V in la minore Le Parnasse Français, ovvero intermezzo alla Franzosa - L'Arcadia in Gianicolo: Sonata VI in re maggiore Il bosco Parrasio, ovvero l'Apoteosi dell'Arcade pastore Falerno Ducande - La Rivolta di Masaniello, Sonata a capriccio in la minore - Salve Regina (2016) - soprano: Maria Caruso - Six Venetians Sonatas (2011): Sonata I in re maggiore (Il Redentore) - Six Venetians Sonatas (2011): Sonata II in sol minore (La Punta della Dogana) - Six Venetians Sonatas (2011): Sonata III in si b maggiore (Le rive del Brenta) - Six Venetians Sonatas (2011): Sonata IV in re minore (La Salute) - Six Venetians Sonatas (2011): Sonata V in fa maggiore (La Bragora) - Six Venetians Sonatas (2011): Sonata VI la minore (I fantasmi veneziani) - Sonata VI in sol minore per flauto dolce e b.c. - Sonata VII in do maggiore, in tre atti (1997) "La Rivoluzione Francese" - Sonata in Do Maggiore (comp. dicembre 2018; per il Genetliaco di Tosilla Musichea, 12 gennaio) - Sonata in re maggiore "La dimora di Eolo" (2008) - Sonata in sol minore "L'Aspide di Cleopatra" (dedicated to C. Hogwood) - Sonata no.01 in do maggiore La Commediante Veneziana (1996) - Sonata no.02 in fa minore "Armida abbandonata" (1996) - Sonata no.03 in fa maggiore "la Serenissima" (1996) - Sonata no.04 in re minore "Scilla e Cariddi" (1996) - Sonata no.05 in do minore "La nobile amante veneziana" (1997) - Sonata no.06 in sol maggiore La Commedia dell'Arte (1997) - Sonata no.07 in do maggiore, in tre Atti, La Rivoluzione Francese (1997) - Sonata no.08 in si b maggiore La Rivoluzione Americana (1997) - Sonata no.09 in fa# minore "il libertino cavaliere de Seingalt" (1997) - Sonata no.10 in si minore "L'ombra delle idee" (1997) - Sonata no.11 in la maggiore "Il 'Candide' di Voltaire" (1997) - Sonata no.12 in mi maggiore "'Il nipote di Rameau' di Diderot" (1997) - Triosonata VI da chiesa in Sol Minore "San Martino", per 2 violini e continuo (2014) - la Rodelinde - memento mori (improvvisazione per il 14 aprile 2009, ad Handel) -
by F. De Luca
DE NEBRA, JOSÉ DE NEUFVILLE, JOHANN JACOB DE ROSSI, LORENZO DELLA CIAIA, AZZOLINO BERNARDINO DEMARS [DE MARS], CHARLES DIEUPART, CHARLES-FRANÇOIS DORNEL, LOUIS-ANTOINE DOWLAND, JOHN DRAGHI, GIOVANNI BATTISTA DU MONT, HENRY DUFOUR, PIERRE THOMAS DUPHLY, JACQUES - - Book I, 1. Pièces en re mineur et majeur (1744) - Book I, 2. Pièces en ut mineur et majeur (1744) - Book II, 1. Pièces en re majeur et mineur (1748) - Book II, 2. Pièces en la majeur et mineur (1748) - Book II, 3. Pièces en mi majeur (1748) - Book II, 4. Pièces en sol mineur (1748) - Book III, 1. Pièces en fa majeur et mineur (1758) - Book III, 2. Pièces en re majeur et mineur (1758) - Book III, 3. Pièces en sol, mi et la majeur (1758) - Book IV, Pièces de Clavecin, À Madame la Marquise De Juigné (1768) - La Forqueray - Rondeau - Rondeau -
by F. De Luca
DURANTE, FRANCESCO DUSSEK, JAN LADISLAV D`ANGLEBERT, JEAN-HENRY
E
EBERLIN, JOHANN ERNST ECCLES, JOHN
F
FAGO, NICOLA FALVETTI, MICHELANGELO FENAROLI, FEDELE FERRANDINI, GIOVANNI DOMENICO - Cantate drammatiche. Olivia Vermeulen, Harmonie Universelle, dir: Florian Deuter
recensione di M. Frigeni
FERRINI, GIOVANNI BATTISTA FIOCCO, JOSEPH-HECTOR FISCHER, JOHANN CASPAR FERDINAND - - 1. Suite I d-moll (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 2. Suite II F-Dur (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 3. Suite III a-moll (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 4. Suite IV C-Dur (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 5. Suite V e-moll (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 6. Suite VI D-Dur (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 7. Suite VII g-moll (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 8. Suite VIII G-Dur (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - Musikalischer Parnassus (1736): Suite no.1 CLIO - Musikalischer Parnassus (1736): Suite no.2 CALLIOPE - Musikalischer Parnassus (1736): Suite no.3 MELPOMENE - Musikalischer Parnassus (1736): Suite no.4 THALIA - Musikalischer Parnassus (1736): Suite no.5 ERATO - Musikalischer Parnassus (1736): Suite no.6 EUTERPE - Musikalischer Parnassus (1736): Suite no.7 TERPSICHORE - Musikalischer Parnassus (1736): Suite no.8 POLYMNIA - Musikalischer Parnassus (1736): Suite no.9 URANIE - Suite IX d-Moll aus "Uranie" a Cembalo solo (Musikalischer Parnassus, 1736) -
by F. De Luca
FORQUERAY, ANTOINE FOUCQUET, PIERRE-CLAUDE FRANCOEUR, FRANÇOIS FREDERICK II, DER GROßE FRESCOBALDI, GIROLAMO FROBERGER, JOHANN JACOB FUX, JOHANN JOSEPH FÉVRIER, PIERRE
G
GABRIELI, GIOVANNI GALUPPI, BALDASSARE - L'inimico delle donne. Rinaldo Alessandrini, dir.
recensione di M. Frigeni
- - Divertimento in Do Maggiore (Marburg) - Divertimento in La Maggiore (Marburg) - Sonata "prima" in Si b Maggiore (Dresda) - Sonata "seconda" in Re Maggiore (Dresda) - Sonata 4.a in Do Maggiore (London) - Sonata I in Do Maggiore, Op.I (publ. Walsh - London, 1756) - Sonata I in Re Maggiore, Op.II (London, ca.1759) - Sonata II in Do Minore - Sonata II in Re Minore, Op.II (London, ca.1759) - Sonata III in Do Minore - Sonata III in Mi Minore, Op.II (London, ca.1759) - Sonata IV in Re Maggiore, Op.I (publ. Walsh - London, 1756) - Sonata IX in La Minore (München) - Sonata V in Do Maggiore - Sonata V in Fa Maggiore, Op.I (publ. Walsh - London, 1756) - Sonata V in Sol Maggiore, Op.II (London, ca.1759) - Sonata VI in Do Maggiore, Op.II (London, ca.1759) - Sonata VII in Sol Minore - Sonata XII in Fa Minore - Sonata XIII in Si bemolle Maggiore - Sonata in Re Maggiore (Bruxelles) - Sonata in Sol Minore per Organo o Cembalo - Sonata in do minore (original in d minor) - Sonata in re maggiore - Suonata I in Re Minore (Venezia) - Suonata II in Do Maggiore (Venezia) - Toccata in Fa Maggiore (Bruxelles) - Toccata in Re Minore (Bruxelles) -
by F. De Luca
GASPARINI, FRANCESCO GEMINIANI, FRANCESCO - - Concerto No.1 in Do Minore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.2 in Do Minore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.3 in Re Minore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.4 in Re Maggiore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.5 in Re Minore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.6 in La Maggiore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) -
by F. De Luca
GEOFFROY, JEAN-NICOLAS GERL, FRANZ XAVER - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
 di I. Chiappara
GHEYN, VANDEN, MATTHIAS GILLES, JEAN - Messe en ré - Te Deum. Les Passions - Orchestre baroque de Montauban, dir: Jean-Marc Andrieu
review by J. van Veen
GIUSTINI, LODOVICO GLUCK, CHRISTOPH WILLIBALD GRAUPNER, CHRISTOPH GRECO, GAETANO GREENE, MAURICE GRETRY, ANDRÈ-MODESTE GRÜNEWALD, GOTTFRIED GUGLIELMI, PIETRO ALESSANDRO
H
HANDEL, GEORGE FRIDERIC - Aci, Galatea e Polifemo. La Risonanza, dir: Fabio Bonizzoni
recensione di M. Frigeni
- Agrippina. René Jacobs, dir.
recensione di M. Frigeni
- Alcina. Marc Minkowski, dir.
recensione di L. Maltagliati
- Alessandro Severo. George Petrou, dir.
recensione di M. Frigeni
- Alessandro, opera in tre atti HWV 21. Max Emanuel Cencic, dir. George Petrou
recensione di M. Frigeni
- Ariodante. Alan Curtis, dir.
recensione di M. Frigeni
- Atalanta, opera in tre atti HWV 35. Philharmonia Baroque Orchestra, dir. Nicholas McGegan
recensione di M. Frigeni
- Athalia. Paul Goodwin, dir.
recensione di I. Chiappara
- Cantate 01: HWV 152, HWV 133, HWV 142, HWV 105. Roberta Mameli - Contrasto Armonico - dir. Marco Vitale
recensione di M. Frigeni
- Catone (1732). Auser Musici, Prina-Novaro-Invernizzi-Hammarström-Cirillo, dir: Carlo Ipata
recensione di M. Frigeni
- Complete Cantatas, Vol4. Contrasto Armonico, dir. Marco Vitale
recensione di I. Chiappara
- Didone abbandonata (1737) [Vinci, arr/Handel]. Lautten Compagney, Johannsen-Vermeulen-Giovannini-Böhme-Huh-Artsis, dir: Wolfgang Katschner
recensione di M. Frigeni
- Dietro l'orme fugaci. Armida abbandonata, HWV 105
di I. Chiappara
- Dixit Dominus. John Eliot Gardiner, dir.
recensione di D. Didona
- Dixit Dominus / Ode for the Birthday of Queen Anne / Zadok the Priest + Jean-Danican PHILIDOR: Batteries de timballes. Apollo's Singers - Apollo's Fire (The Cleveland Baroque Orchestra), Jeannette Sorrell, dir.
review by J. van Veen
- Dublino 1741-42. L'ultima svolta
di Zadok, aprile 2011
- Germanico. Ottaviano Tenerani, dir.
recensione di L. Maltagliati
- Giove in Argo. Il Complesso Barocco, dir. Alan Curtis
recensione di M. Frigeni
- Giulio Cesare in Egitto. Il Complesso Barocco, dir. Alan Curtis
recensione di M. Frigeni
- HIDDEN HANDEL. Ann Hallenberg - Il Complesso Barocco, dir. Alan Curtis
recensione di M. Frigeni
- Il Pastor Fido (1712). David Bates, dir.
recensione di M. Frigeni
- Italian Cantatas. Valentina Varriale, soprano - Ensemble "Musica Perduta" - R. Criscuolo, vlc/dir
recensione di M. Frigeni
- Messiah. [I] La Chapelle Rhénane, Dir: Benoît Haller [II] Apollo's Singers - Apollo's Fire (The Cleveland Baroque Orchestra), Dir: Jeannette Sorrell [III] Tafelmusik Baroque Orchestra and Chamber Choir, Dir: Ivars Taurins
review by J. van Veen
- - 6 Piccole Fughe [attr. Handel, probably spurious] - Air (Hornpipe) in d minor, HWV 461 ("book IV") - Air in A major, HWV 468 ("book IV") - Air in B flat major, HWV 470 ("book IV") - Air in B flat major, HWV 471 ("book IV") - Air in F major (with 2 variations), HWV 465 ("book IV") - Air in c minor, HWV 458 ("book IV") - Air in c minor, HWV 459 ("book IV") - Air in g minor, HWV 466 ("book IV") - Air in g minor, HWV 467 ("book IV") - Allegro in d minor, HWV 475 ("book IV") - Allemande in A major, HWV 477 ("book IV") - Allemande in F major, HWV 476 ("book IV") - Allemande in a minor, HWV 478 ("book IV") - Allemande in b minor, HWV 479 ("book IV") - Bourée in g minor ("Impertinence"), HWV 494 ("book IV") - Capriccio in F major, HWV 481 ("book IV") - Capriccio in g minor, HWV 483 ("book IV") - Chaconne in F major, HWV 485 ("book IV") - Chaconne in G with 21 variations (HWV 435) - Chaconne in g-minor, HWV 486 ("book IV") - Concerto in G major, HWV 487 ("book IV") - Courante in b minor, HWV 489 ("book IV") - Fantasia in C major, HWV 490 (London 1732-34) ("book IV") - Fantasia no. 1 in do maggiore (HWV deest) ("book IV") - Fantasia no. 2 in la minore (HWV deest) ("book IV") - Fantasia no. 3 in do maggiore (HWV deest) ("book IV") - Fantasia no. 4 in fa maggiore (HWV deest) ("book IV") - Fantasia no. 5 in re minore (HWV deest) ("book IV") - Fantasia no. 6 in si b maggiore (HWV deest) ("book IV") - Fantasia no. 7 in mi minore (HWV deest) ("book IV") - Fantasia no. 8 in sol minore (HWV deest) ("book IV") - Fantasia no. 9 in la maggiore (HWV deest) ("book IV") - Fantasia no.10 in sol maggiore (HWV deest) ("book IV") - Fantasia no.11 in mi maggiore (HWV deest) ("book IV") - Fantasia no.12 in do minore (HWV deest) ("book IV") - Fireworks Music a due cembali (from a Live Concert, 2011 Feb 5) - Fuga in F major, HWV 611 ("book IV") - Fuga n.1 in sol minore, HWV 605 ("book IV") - Fuga n.2 in sol maggiore, HWV 606 ("book IV") - Fuga n.3 in si b, HWV 607 ("book IV") - Fuga n.4 in si minore, HWV 608 ("book IV") - Fuga n.5 in la minore, HWV 609 ("book IV") - Fuga n.6 in do minore, HWV 610 ("book IV") - Funeral March from "Saul", HWV 53 (London 1738) - Gavotte in G major, HWV 491 ("book IV") - Gigue in F major, HWV 492 ("book IV") - Lesson in a minor, HWV 496 ("book IV") - March in G major, HWV 419/2 ("Ld. Loudon's March"; "book IV") - March in G major, HWV 419/3 ("Admiral Boscowin's March"; "book IV") - March, from "Judas Maccabaeus", HWV 63 (London 1747) - Menuet in B flat major, HWV 556 ("book IV") - Menuet in g minor, HWV 532 ("book IV") - Menuet in g minor, HWV 540b ("book IV") - Menuet in g minor, HWV deest (see HWV 434) ("book II&IV") - Ouverture in g-minor (HWV 453/1) ("book III") - Partita in A major, HWV 454 ("book III") - Partita in G major, HWV 450 ("book III") - Partita in G major, HWV 450 ("book III") - Partita in c minor, HWV 444 ("book III") - Prelude d-moll, HWV 561 - Preludio and Allegro in g minor, HWV 574 ("book IV") - Preludio and Capriccio in G, HWV 571 ("book IV") - Preludio and Capriccio in G, HWV 571 ("book IV") - Preludio in F major, HWV 567 ("book IV") - Preludio in a minor, HWV 575 ("book IV") - Preludio in d minor (Harpeggio), HWV 562 ("book IV") - Preludio in d minor, HWV 563 ("book IV") - Preludio in d minor, HWV 564 ("book IV") - Sinfonia II from "Saul", HWV 53 (London 1738) - Sinfonia from "The Choice of Hercules", HWV 69 (London 1750/51) - Sonata "Il Parnaso" (trascriptions for harpsichord by F. De Luca; dedicated to C. Hogwood) - Sonata in C major, HWV 578 (originally for carillon, c.1750) ("book IV") - Sonata in G major, HWV 579 ("book IV") - Sonata in g minor, HWV 580 ("book IV") - Sonatina in B flat major, HWV 585 ("book IV") - Sonatina in G major, HWV 582 ("book IV") - Sonatina in a minor, HWV 584 ("book IV") - Suite I/1733 in B flat major, HWV 434 ("book II") - Suite II/1733 = Chaconne in G major, HWV 435 (London 1733) ("book II") - Suite III/1733 in d minor, HWV 436 ("book II") - Suite IV/1733 in d minor, HWV 437 ("book II") - Suite IV/1733 in d minor, HWV 437 [new recording] ("book II") - Suite IV/1733 in d minor, HWV 437 [old 2006 recording] ("book II") - Suite IX/1733 = The Great Chaconne in G major with 62 variations, HWV 442 ("book II") - Suite V/1733 in e minor, HWV 438 ("book II") - Suite VI/1733 in g minor, HWV 439 ("book II") - Suite VII/1733 in B flat major, HWV 440 ("book II") - Suite VIII/1733 in G major, HWV 441 ("book II") - Suite VIII/1733 in G, HWV 441 ("book II") - Suite in c minor, HWV 445 ("book III") - Suite in d minor, HWV 437 (?Hamburg 1703-1706 Publ. Amsterdam 1732 & London 1733) - Suite in d minor, HWV 448 (?Hamburg 1704-1706) - Suite in d minor, HWV 448 (Live Concert 2007, Audio/Video) ("book III") - Suite in d minor, HWV 448 (new recording) ("book III") - Suite in d minor, HWV 449 ("book III") - Suite in d minor, HWV 449 ("book III") - Suite in d-min (1739) for the Princess Louisa, HWV 447 ("book III") - Suite in g minor, HWV 451 (partially lost; "book III") - Suite in g minor, HWV 453 ("book III"); possibly the Ouverture from "Nero", HWV 2 (Hamburg 1705) - Suite in g-min (1739) for the Princess Louisa, HWV 452 ("book III") - Suite in re minore, HWV 448 [old 2006 recording] ("book III") - Suite-Partita in C major, HWV 443 ("book III") + Chaconne in C major (49 var.), HWV 484 ("book IV") - The 8 Great Suites (1720): 1. Suite I in A Major, HWV 426 - The 8 Great Suites (1720): 2. Suite II in F Major, HWV 427 - The 8 Great Suites (1720): 3. Suite III in d Minor, HWV 428 - The 8 Great Suites (1720): 4. Suite IV in e Minor, HWV 429 - The 8 Great Suites (1720): 5. Suite V in E Major, HWV 430 - The 8 Great Suites (1720): 6. Suite VI in f# Minor, HWV 431 - The 8 Great Suites (1720): 7. Suite VII in g Minor, HWV 432 - The 8 Great Suites (1720): 8. Suite VIII in f Minor, HWV 433 - The Arrival of the Queen of Sheba, from "Solomon", HWV 67 (London 1748-9) - The Great Suites (1720), Suite I in A-major, HWV 426 ("book I") - The Great Suites (1720), Suite II in F-major, HWV 427 ("book I") - The Great Suites (1720), Suite III in d-minor, HWV 428 ("book I") - The Great Suites (1720), Suite IV in e-minor, HWV 429 ("book I") - The Great Suites (1720), Suite V in E-major, HWV 430 ("book I") - The Great Suites (1720), Suite VI in f-sharp-minor, HWV 431 ("book I") - The Great Suites (1720), Suite VII in g-minor, HWV 432 ("book I") - The Great Suites (1720), Suite VIII in f-minor, HWV 433 ("book I") - Toccata in g minor, HWV 586 ("book IV") - Triosonata in e minor, HWV 395 (Live Concert 2007, Audio/Video) - Water Music a due cembali (from a Live Concert, 2011 Feb 5) - [Transcription] [Aria] Pena tiranna io sento al core (Amadigi, 1715) - [Transcription] [Soli e Coro] Nel petto sento un certo ardor (Parnasso in Festa, 1734) - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto I in F major HWV 295 - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto II in A major HWV 296a - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto III in d minor HWV 328 - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto IV in G major HWV 319 - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto V in D major HWV 323 - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto VI in g minor HWV 324 - [Transcription] Chaconne from "Terpsichore", HWV 8b (London 1734) - [Transcription] Concerto Grosso in d minor, Op.6/No.10, HWV 328 ("book V") - [Transcription] Concerto Grosso in g minor, Op.6/No.6, HWV 324 ("book V") - [Transcription] Dolce bene (from "Radamisto", see [Chrysander, vol. 48]) - [Transcription] Geloso tormento (Almira 1704; HWV 1) - [Transcription] Hornpipe in D major, HWV 356 ("book V") - [Transcription] Overture from "Admeto", HWV 22 (London 1727) - [Transcription] Overture from "Admeto", HWV 22 (London 1727) (the 2nd ouverture/ACT II) - [Transcription] Overture from "Agrippina", HWV 6 (Venezia 1709) - [Transcription] Overture from "Alceste", HWV 45 (London 1749-50) - [Transcription] Overture from "Alcina", HWV 34 (London 1735) - [Transcription] Overture from "Alessandro Severo", HWV A13 (London 1738) - [Transcription] Overture from "Alessandro", HWV 21 (London 1726) - [Transcription] Overture from "Alexander Balus", HWV 65 (London 1748) - [Transcription] Overture from "Alexander's Feast", HWV 75 (London 1736) - [Transcription] Overture from "Amadigi" (no.2), HWV 11 (London 1715) - [Transcription] Overture from "Amadigi", HWV 11 (London 1715) - [Transcription] Overture from "An Occasional Oratorio", HWV 62 (London 1746) - [Transcription] Overture from "Arianna in Creta", HWV 32 (London 1734) - [Transcription] Overture from "Ariodante", HWV 33 (London 1735) - [Transcription] Overture from "Arminio", HWV 36 (1736/37) - [Transcription] Overture from "Atalanta", HWV 35 (London 1736) - [Transcription] Overture from "Belshazzar", HWV 61 (London 1745) - [Transcription] Overture from "Berenice", HWV 38 (London 1737) - [Transcription] Overture from "Deidamia", HWV 42 (London 1741) - [Transcription] Overture from "Esther", HWV 50 (Cannons 1718) - [Transcription] Overture from "Ezio", HWV 29 (London 1732) - [Transcription] Overture from "Faramondo", HWV 39 (London 1738) - [Transcription] Overture from "Flavio", HWV 16 (London 1723) - [Transcription] Overture from "Floridante", HWV 14 (London 1721) - [Transcription] Overture from "Giulio Cesare", HWV 17 (London 1724) - [Transcription] Overture from "Giustino", HWV 37 (London 1737) - [Transcription] Overture from "Hercules", HWV 60 (London 1745) - [Transcription] Overture from "Il Parnasso in Festa", HWV 73 (London 1734) - [Transcription] Overture from "Il Pastor Fido" (no.1), HWV 8 (London 1712/34) - [Transcription] Overture from "Il Pastor Fido" (no.2), HWV 8 (London 1712/34) - [Transcription] Overture from "Imeneo", HWV 41 (London 1740) - [Transcription] Overture from "JEPHTHA", HWV 70 (London 1752) - [Transcription] Overture from "Joseph and his Brethren", HWV 59 (London 1744) - [Transcription] Overture from "Joshua", HWV 64 (London 1748) - [Transcription] Overture from "Judas Maccabaeus", HWV 63 (London 1747) - [Transcription] Overture from "Lotario", HWV 26 (London 1729) - [Transcription] Overture from "MESSIAH", HWV 56 (London 1742) - [Transcription] Overture from "Muzio Scevola", HWV 13 (London 1721) - [Transcription] Overture from "Orlando", HWV 31 (London 1733) - [Transcription] Overture from "Ottone, re di Germania", HWV 15 (London 1723) - [Transcription] Overture from "Partenope", HWV 27 (London 1730) - [Transcription] Overture from "Poro, Re dell'Indie", HWV 28 (London 1731) - [Transcription] Overture from "Radamisto", HWV 12 (London 1720) - [Transcription] Overture from "Riccardo I", HWV 23 (London 1727) - [Transcription] Overture from "Rinaldo", HWV 7 (London 1711) - [Transcription] Overture from "Rodelinda", HWV 19 (London 1725) - [Transcription] Overture from "Samson", HWV 57 (London 1743) - [Transcription] Overture from "Saul", HWV 53 (London 1738) - [Transcription] Overture from "Scipione", HWV 20 (London 1726) - [Transcription] Overture from "Semele", HWV 58 (London 1744) - [Transcription] Overture from "Serse", HWV 40 (London 1738) - [Transcription] Overture from "Siroe, re di Persia", HWV 24 (London 1728) - [Transcription] Overture from "Siroe, re di Persia", HWV 24/1 (London 1728) - [Transcription] Overture from "Solomon", HWV 67 (London 1749) - [Transcription] Overture from "Sosarme", HWV 30 (London 1732) - [Transcription] Overture from "Susanna", HWV 66 (London 1749) - [Transcription] Overture from "Susanna", HWV 66/1 (London 1749) - [Transcription] Overture from "Tamerlano", HWV 18 (London 1724) - [Transcription] Overture from "Teseo", HWV 9 (London 1713) - [Transcription] Overture from "Theodora", HWV 68 (London 1750) - [Transcription] Overture from "Tolomeo", HWV 25 (London 1728) - [Transcription] Overture-Sinfonia from "Athalia", HWV 51 (Oxford 1733) - [Transcription] Overture-Suite from "Almira", HWV 1 (Hamburg 1705) - [Transcription] Overture-Symphony from "Acis and Galatea", HWV 49 (Cannons 1718) - [Transcription] Per te lasciai la luce (Delirio amoroso 1707; HWV 99) - [Transcription] Sonata in c minor, HWV 366 (?Halle/Hamburg before 1707 or ?London 1711-12) - [Transcription] Watermusic (London 1716), HWV 348/349/350 - [Transcription] With darkness deep (Theodora 1749; HWV 68) - [Transcription] [Aria] Scherza infida in grembo al drudo - from "Ariodante" (London 1734) - [Transcription] [Chorus] Righteous Heav'n beholds their guile (Susanna, 1749) - [Transcription] [Chorus] The clouded scene begins to clear" (Athalia, 1733) -
by F. De Luca
- Theodora. Ivor Bolton, dir.
recensione di L. Maltagliati
HASSE, JOHANN ADOLF - Didone abbandonata (1742). Hofkapelle Muenchen, dir. Michael Hofstetter
recensione di M. Frigeni
- Harpsichord Sonatas. Luca Guglielmi, harpsichord
review by J. van Veen
- La Corte delle Muse - La Dresda di Augusto I il Forte e di Augusto II
 di I. Chiappara
- La Corte delle Muse - La Dresda di Augusto I il Forte e di Augusto II - J-A Hasse: Siroe, re di Persia
di I. Chiappara
- Marc'Antonio e Cleopatra. Matthew Dirst, dir.
recensione di M. Frigeni
- Marc’Antonio e Cleopatra. Le Musiche Nove, dir. Claudio Osele
recensione di M. Frigeni
- Sanctus Petrus et Sancta Maria Magdalena. Michael Hofstetter, dir.
recensione di M. Frigeni
- Siroe, re di Persia. Cencic/Lezhneva/Nesi/Fagioli/Snouffer/Sancho, Armonia Atenea, Dir: George Petrou
recensione di M. Frigeni
- - (BWV Anh. 130) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G major (by J. A. Hasse?) - Fuga in d minor - Six Concertos: Concerto I in F Major (c1743) - Six Concertos: Concerto II in G Major (c1743) - Six Concertos: Concerto III in G Major (c1743) - Six Concertos: Concerto IV in D Major (c1743) - Six Concertos: Concerto V in F Major (c1743) - Six Concertos: Concerto VI in D Major (c1743) - Sonata No.1 in B flat major - Sonata No.2 in G major - Sonata No.3 in B flat major - Sonata No.4 in E flat major - Sonata No.5 in d minor - Sonata No.6 in c minor - Sonata V in re minore - Sonata in do minore, Op.VII no.6 -
by F. De Luca
HAVINGHA, GERHARDUS HAYDN, JOSEPH HEINICHEN, JOHANN DAVID - La Gara degli Dei. Kammerorchester Carl Philipp Emanuel Bach, dir: Hartmut Haenchen
recensione di M. Frigeni
HELMONT, CHARLES JOSEPH VAN HENNEBERG, JOHANN BAPTIST - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
di I. Chiappara
HERTEL, JOHANN WILHELM HESELTINE, JAMES HOFFMANN, ERNST THEODOR AMADEUS - Les Fées à la Mode VII. Un'incursione nella Romantische Oper - Ernst Theodor Amadeus Hoffmann e l'Undine di Friedrich de la Motte-Fouqué (Berlino 1816)
di I. Chiappara
HURLEBUSCH, CONRAD FRIEDRICH HÄSSLER, JOHANN WILHELM
I
INSANGUINE, GIACOMO
J
JACQUET DE LA GUERRE, ELISABETH JAMES, JOHN JOLLAGE, CHARLES-ALEXANDRE JOMMELLI, NICCOLÒ JONES, RICHARD
K
KELWAY, JOSEPH - - 1. Sonata I in A major (Six Sonatas for the Harpsichord, London, c1764) - 2. Sonata II in g minor (Six Sonatas for the Harpsichord, London, c1764) - 3. Sonata III in B flat major (Six Sonatas for the Harpsichord, London, c1764) - 4. Sonata IV in c minor (Six Sonatas for the Harpsichord, London, c1764) - 5. Sonata V in D major (Six Sonatas for the Harpsichord, London, c1764) - 6. Sonata VI in g minor (Six Sonatas for the Harpsichord, London, c1764) - Sonata VI in g-minor (1764) -
by F. De Luca
KERLL, JOHANN KASPAR KIRCHER, ATHANASIUS KOZELUCH, LEOPOLD KREBS, JOHANN LUDWIG KUHNAU, JOHANN - Frische Clavier-Früchte. Jan Katzschke, harpsichord
review by J. van Veen
- - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 1 in C - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 2 in D - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 3 in E - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 4 in F - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 5 in G - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 6 in A - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 7 in B - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 1 in c - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 2 in d - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 3 in e - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 4 in f - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 5 in g - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 6 in a - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 7 in h - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Sonate in B - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 1 in g - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 2 in D - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 3 in F - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 4 in c - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 5 in e - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 6 in B - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 7 in a - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 1 in C - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 2 in g - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 3 in G - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 4 in c - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 5 in F - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 6 in Es - Partita IV f-moll -
by F. De Luca
L
LANDI, STEFANO LAPIS, SANTO - - Sonata I in Re Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata II in Sol Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata III in Do Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata IV in Fa Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata IX in Re Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata V in Si b Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata VI in Sol Minore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata VII in Re Minore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata VIII in La Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata X in Sol Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata XI in Do Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata XII in Fa Maggiore (Sonnates pour le Clavessin, Den Haag 1746) -
by F. De Luca
LE ROUX, GASPARD LEBÈGUE, NICOLAS-ANTOINE LEGRENZI, GIOVANNI - Testamentum. Lia Serafini, Roberta Giua, soprano - Oficina Musicum, Dir: Riccardo Favero
review by J. van Veen
LEO, LEONARDO LO MUSCIO, MARCO LOCATELLI, PIETRO ANTONIO - Trio Sonatas. Ensemble Violini Capricciosi, Dir: Igor Ruhadze
review by J. van Veen
LOCKE, MATTHEW LOEILLET, JOHN LORENZINI, RAIMONDO LUCCHESI, ANDREA LULLY, JEAN-BAPTISTE LUZZASCHI, LUZZASCO
M
MAASMANN [MAAS-MANN PRUSSE], ALEXANDER MAICHELBECK, FRANZ ANTON - - 1. Sonata Prima, in Re Maggiore (Op.1, 1736) - 2. Sonata Seconda, in Fa Maggiore (Op.1, 1736) - 3. Sonata Tertia, in Re Minore (Op.1, 1736) - 4. Sonata Quarta, in Sol Maggiore (Op.1, 1736) - 5. Sonata Quinta, in Do minore (Op.1, 1736) - 6. Sonata Sesta, in Si bemolle Maggiore (Op.1, 1736) - 7. Sonata Settima, in Fa Minore (Op.1, 1736) - 8. Sonata Ottava, in La Maggiore (Op.1, 1736) -
by F. De Luca
MANFREDINI, VINCENZO MARAZZOLI, MARCO - La Festa barocca a Roma. La Giostra del Saracino del 1634 e la Giostra dei Caroselli del 1654 - Il mecenatismo dei Barberini - M. Marazzoli: occhi belli, occhi neri (Cantate romane)
di I. Chiappara
MARCELLO, BENEDETTO MARCELLO , ALESSANDRO MARCELLO , BENEDETTO - - Chiacona "La Stravaganza" (con 110 variazioni) - Sonata I in re minore, Op.3 - Sonata II in sol maggiore, Op.3 - Sonata III in do maggiore, Op.3 - Sonata IV in sol minore, Op.3 - Sonata IX in la maggiore, Op.3 - Sonata V in fa maggiore, Op.3 - Sonata VI in re minore, Op.3 - Sonata VII in la minore, Op.3 - Sonata VIII in si bemolle maggiore, Op.3 - Sonata X in sol minore, Op.3 - Sonata XI in re maggiore, Op.3 - Sonata XII in do minore, Op.3 - [obsolete recording] Sonata IV in sol minore, Op.3 -
by F. De Luca
MARCHAND, LOUIS MARPURG, FRIEDRICH WILHELM MARTINES, MARIANNA MARTÍNEZ, MARIANNE (VON) MATTHESON, JOHANN MATYAS, THOMAS MAZZOCCHI, DOMENICO MAZZONI, ANTONIO MONTEVERDI, CLAUDIO MOYREAU, CHRISTOPHE MOZART, LEOPOLD MOZART, WOLFGANG AMADEUS - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
di I. Chiappara
- - Fantasie c-moll, K.475 (Vienna 1785) - Fantasie d-moll, K.397 - Präludium (Fantasie) und Fuge C Dur, K.394/383a - Sonata No.01 in C Major, K.279/189d (München 1774-5) - Sonata No.02 in F Major, K.280/189e (München 1774-5) - Sonata No.08 in a minor, K.310/300d (Paris 1778) - Sonata No.09 in D Major, K.311/284c, Op.4/II (Mannheim 1777) - Sonata No.11 in A major, K.331/300i "Alla Turca" (Wien? c.1783) - Sonata No.12 in F Major, K.332/300k, Op.6/III (Wien-Salzburg 1783) - Sonata No.13 in B-flat major, K.333/315c "Linz" (Linz/Wien 1783/4) - Sonata No.14 in c minor, K.457 (Vienna 1784) - Sonata No.16 in C Major, K.545 "Semplice" (Wien 1788) - Sonata No.16 in C major, K.545 "Semplice" (Wien 1788) [recorded 2012] - Sonata No.18 in D major, K.576 "Trumpet" or "Hunt" (Wien 1789) - Suite in C major, K.399 (1782; fragm.) - Wiener Sonatine No.1, K.439b (K.Anh.229/1) - Wiener Sonatine No.2, K.439b (K.Anh.229/2) - Wiener Sonatine No.3, K.439b (K.Anh.229/3) - Wiener Sonatine No.4, K.439b (K.Anh.229/4) - Wiener Sonatine No.5, K.439b (K.Anh.229/5) - Wiener Sonatine No.6, K.439b (K.Anh.229/6) - [Transcription] Ave Verum Corpus, k618 (Baden 1791) -
by F. De Luca
MUFFAT, GOTTLIEB MYSLIVECEK, JOSEF - Medonte. L'Arte del Mondo, dir. Werner Ehrhardt
recensione di M. Frigeni
- Medonte. Storia di un'Opera in Musica
di I. Chiappara
MÉHUL, ETIENNE-NICOLAS
N
NEEFE, CHRISTIAN GOTTLOB NICHELMANN, CHRISTOPH NOBLET, CHARLES
P
PACHELBEL, JOHANN - - 01. Suite I in C major, P428/T301 - 02. Suite II in c minor, P429/T302 - 03. Suite III in C# minor, P430/T303 - 04. Suite IV in D major, P431/T304 - 05. Suite V in d minor, P432/T305 - 06. Suite VI in Eb major, P433/T306 - 07. Suite VII in E major, P434/T307 - 08. Suite VIII in e minor, P435/T308 - 09. Suite IX in e minor, P436/T309 - 10. Suite X in F major, P437/T310 - 11. Suite XI in F major, P438/T311 - 12. Suite XII in f# minor, P439/T312 - 13. Suite XIII in G major, P440/T313 - 14. Suite XIV in g minor, P442/T315 - 15. Suite XV in g minor, P443/T316 - 16. Suite XVI in Ab major/minor, P444/T317 - 17. Suite XVII in A major, P445/T318 - 18. Suite XVIII in A minor, P446/T319 - 19. Suite XIX in B major, P447/T320 - 20. Suite XX in b minor, P448/T321 - Chaconne in C major, P38/T201 - Chaconne in D major, P39/T203 - Chaconne in D major, P40/T202 - Chaconne in F major, P42/T205 - Chaconne in f minor, P43/T206 - Ciaccona f-moll - Fantasia I in d minor, P124/T252 - Fantasia II in d minor, P125/T253 - Fantasia III in a minor, P126/T256 - Hexachordum Apollinis (1699): 1. Aria I in d minor, P193/T211 - Hexachordum Apollinis (1699): 2. Aria II in e minor, P194/T212 - Hexachordum Apollinis (1699): 3. Aria III in F major, P195/T213 - Hexachordum Apollinis (1699): 4. Aria IV in g minor, P196/T214 - Hexachordum Apollinis (1699): 5. Aria V in a minor, P197/T215 - Hexachordum Apollinis (1699): 6. Aria Sebaldina in f minor, P198/T216 -
by F. De Luca
PAISIELLO, GIOVANNI PARADISI, PIETRO DOMENICO PARANT, JEAN-BAPTISTE PASQUINI, BERNARDO PEPUSCH, JOHANN CHRISTOPH PERGOLESI, GIOVANNI BATTISTA PESCETTI, GIOVANNI BATTISTA - - Sei Sonate - 1. Sonata I - Sei Sonate - 2. Sonata II - Sei Sonate - 3. Sonata III - Sei Sonate - 4. Sonata IV - Sei Sonate - 5. Sonata V - Sei Sonate - 6. Sonata VI - Sonata in do minore - Sonate per gravicembalo (Londra, 1739) - 01. Sonata I - Sonate per gravicembalo (Londra, 1739) - 02. Sonata II - Sonate per gravicembalo (Londra, 1739) - 03. Sonata III - Sonate per gravicembalo (Londra, 1739) - 04. Sonata IV - Sonate per gravicembalo (Londra, 1739) - 05. Sonata V - Sonate per gravicembalo (Londra, 1739) - 06. Sonata VI - Sonate per gravicembalo (Londra, 1739) - 07. Sonata VII - Sonate per gravicembalo (Londra, 1739) - 08. Sonata VIII - Sonate per gravicembalo (Londra, 1739) - 09. Sonata IX - Sonate per gravicembalo (Londra, 1739) - 10. Sonata X "Nel vello d'oro" - [obsolete recording] Sonata in do minore -
by F. De Luca
PEZOLD, CHRISTIAN PLATTI, GIOVANNI BENEDETTO - - Sonata I in re maggiore (Norimberga, 1742) - Sonata II in do maggiore (Norimberga, 1742) - Sonata III in fa maggiore (Norimberga, 1742) - Sonata IV in sol minore (Norimberga, 1742) - Sonata IX (no.3/1746) in sol maggiore (Norimberga, 1746) - Sonata V in do minore (Norimberga, 1742) - Sonata VI in mi maggiore (Norimberga, 1742) - Sonata VII (no.1/1746) in fa maggiore (Norimberga, 1746) - Sonata VIII (no.2/1746) in fa maggiore (Norimberga, 1746) - Sonata X (no.4/1746) in la minore (Norimberga, 1746) - Sonata XI (no.5/1746) in do minore (Norimberga, 1746) - Sonata XII (no.6/1746) in do maggiore (Norimberga, 1746) - [obsolete recording] Sonata in do minore -
by F. De Luca
POGLIETTI, ALESSANDRO PORPORA, NICOLA - Aminta – Cantate Pastorali. Marina De Liso, mezzosoprano - Stile Galante - Stefano Aresi, dir.
recensione di M. Frigeni
- Cantate per soprano. Maria Laura Martorana, soprano - Accademia Barocca "I Virtuosi Italiani", Alberto Martini, violino e dir.
recensione di M. Frigeni
- Germanico in Germania (1732). Capella Cracoviensis, Cenčić-Nesi-Idrisova-Bennani-Lezhneva-Sancho, dir: Jan Tomasz Adamus
recensione di M. Frigeni
- Porpora Cantatas. Iestyn Davies, controtenore. Jonathan Cohen, dir.
recensione di I. Chiappara
- Vespro per la Festività dell'Assunta. Martin Gester, dir.
recensione di I. Chiappara
- - [Transcription] Alto Giove (Polifemo 1735) -
by F. De Luca
PURCELL, DANIEL PURCELL, HENRY - Les Fées à la Mode V. A Midsummer Night's Dream - The Fairy Queen
di I. Chiappara
- - A Ground in Gamut, Z.645 - A Minuet in a Minor, Z.650 - A New Ground in e Minor, Z.T682 ("Here the Deities Approve" from "Welcome to All the Pleasures") - A New Ground: Welcome to all the pleasures, z339/3 (c.1689) - A New Irish Tune (Lilliburlero), Z.646 - A New Schotch Tune in G Major, Z.655 - A Song Tune in C Major, Z.T695 - Air (Minuet) in d Minor, Z.T676 - Air, Z.630/1 - Air, Z.641 - Air, Z.T693/2 - Aire, Z.T675 - Almand [Gavotte] in D Major, Z.D219/1 (spurious) - An Evening Hymn on a Ground (Z. 193; Harmonia Sacra, 1688) - soprano: M. Caruso - Borry [Saraband] in D Major, Z.D219/2 (spurious) - Chaconne, Z.T680 - Corant, Z.644 - Ground in c Minor, Z.D221/Z.T681 (attr. William Croft) - Ground in c Minor, Z.T681 - Ground in d Minor, Z.D222 - Hornpipe, Z.T683 - Hornpipe, Z.T685 - Jigg, Z.D223 - Jigg, Z.T686 - March in C Major, Z.647 - March in C Major, Z.648 - March, Z.T687 - Minuet in a Minor, Z.649 - Minuet, Z.651 - Minuet, Z.T688 - Musick for a While (Orpheus Britannicus, Book II, 1702) - soprano: M. Caruso - New Minuet, Z.T689 - Rigadoon in C Major, Z.653 - Round O, Z.T684 - Saraband with division in a Minor, Z.654 - Sefauchi's Farewell, Z.656 - Song Tune in C Major, Z.T694 - Suite No.1 Z660, in G Major - Suite No.2 Z661, in g Minor - Suite No.3 Z662, in G major - Suite No.4 Z663, in a Minor - Suite No.5 Z666, in C Major - Suite No.6 Z667, in D Major - Suite No.7 Z668, in d Minor - Suite No.8 Z669, in F Major - The Queen's Dolour. A Farewell, Z.670 - Trumpet Tune called the Cibell, Z.T678 - Trumpet Tune in C Major, Z.T697 (from "Dioclesian") - Trumpet Tune, Z.T698 - When I am laid (Z. 626; Dido and Aeneas) - soprano: M. Caruso - [ --- ] - [Transcription] Dido's Lament (Dido and Aeneas) - [Transcription] O solitude, my sweetest choice (Z. 406; 1687) - [Transcription] Passacaglia (King Arthur) - [Transcription] What power art thou (King Arthur) - [obsolete recording] 22 Pieces: Dances, Menuets and Grounds - [obsolete recording] Suite no.1 in G (Z.660) - [obsolete recording] Suite no.2 in g (Z.661) - [obsolete recording] Suite no.3 in G (Z.662) - [obsolete recording] Suite no.4 in a (Z.663) - [obsolete recording] Suite no.5 in C (Z.666) - [obsolete recording] Suite no.6 in D (Z.667) - [obsolete recording] Suite no.7 in d (Z.668) - [obsolete recording] Suite no.8 in F (Z.669) -
by F. De Luca
R
RAMEAU, JEAN-PHILIPPE - - L'Agaçante (Pieces de Clavecin en concerts, Paris 1741) - L'Indiscrette (Pieces de Clavecin en concerts, Paris 1741) - La Dauphine (1747) - La Livri (Pieces de Clavecin en concerts, Paris 1741) - La Timide (Pieces de Clavecin en concerts, Paris 1741) - Les Indes galantes, balet, reduit à quatre grands concerts (Paris, c1736) - Suite en La Mineur: Premier Livre de Pièces de Clavecin (Paris, 1706) - Suite en la mineur (1728) - Suite en mi mineur (1724) - Suite in La Mineur/Majeur (Nouvelles suites de pièces de clavecin, Paris 1727/28) - Suite in Mi Mineur/Majeur (Pièces de clavecin avec une méthode, Paris 1724) - Suite in Re Mineur/Majeur (Pièces de clavecin avec une méthode, Paris 1724) - Suite in Sol Majeur/Mineur (Nouvelles suites de pièces de clavecin, Paris 1727/28) -
by F. De Luca
REBEL, FRANÇOIS REINCKEN, JOHANN ADAM REUTTER, JOHANN GEORG RITTER, CHRISTIAN ROBAINA, MIGUEL ROMAN, JOHAN HELMICH ROSEINGRAVE, THOMAS ROSSI, LUIGI ROYER, JOSEPH-NICOLAS-PANCRACE RUTINI, GIOVANNI MARCO
S
SAINTE-COLOMBE, JEAN (DE) SALIERI, ANTONIO SAMMARTINI, GIOVANNI BATTISTA SANDONI, PIETRO GIUSEPPE SARDELLI, FEDERICO MARIA SARTI, GIUSEPPE SCARLATTI, ALESSANDRO SCARLATTI, DOMENICO - - Fandango 'del Sig. Scarlate' - K.001 - Sonata I in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.002 - Sonata II in Sol Maggiore ("Essercizi per Gravicembalo", London 1738) - K.003 - Sonata III in La Minore ("Essercizi per Gravicembalo", London 1738) - K.004 - Sonata IV in Sol Minore ("Essercizi per Gravicembalo", London 1738) - K.005 - Sonata V in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.006 - Sonata VI in Fa Maggiore ("Essercizi per Gravicembalo", London 1738) - K.007 - Sonata VII in La Minore ("Essercizi per Gravicembalo", London 1738) - K.008 - Sonata VIII in Sol Minore ("Essercizi per Gravicembalo", London 1738) - K.009 - Sonata IX in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.010 - Sonata X in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.011 - Sonata XI in Do Minore ("Essercizi per Gravicembalo", London 1738) - K.012 - Sonata XII in Sol Minore ("Essercizi per Gravicembalo", London 1738) - K.013 - Sonata XIII in Sol Maggiore ("Essercizi per Gravicembalo", London 1738) - K.014 - Sonata XIV in Sol Maggiore ("Essercizi per Gravicembalo", London 1738) - K.015 - Sonata XV in Mi Minore ("Essercizi per Gravicembalo", London 1738) - K.016 - Sonata XVI in Si b Maggiore ("Essercizi per Gravicembalo", London 1738) - K.017 - Sonata XVII in Fa Maggiore ("Essercizi per Gravicembalo", London 1738) - K.018 - Sonata XVIII in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.019 - Sonata XIX in Fa Minore ("Essercizi per Gravicembalo", London 1738) - K.020 - Sonata XX in Mi Maggiore ("Essercizi per Gravicembalo", London 1738) - K.021 - Sonata XXI in Re Maggiore ("Essercizi per Gravicembalo", London 1738) - K.022 - Sonata XXII in Do Minore ("Essercizi per Gravicembalo", London 1738) - K.023 - Sonata XXIII in Re Maggiore ("Essercizi per Gravicembalo", London 1738) - K.024 - Sonata XXIV in La Maggiore ("Essercizi per Gravicembalo", London 1738) - K.025 - Sonata XXV in Fa diesis Minore ("Essercizi per Gravicembalo", London 1738) - K.026 - Sonata XXVI in La Maggiore ("Essercizi per Gravicembalo", London 1738) - K.027 - Sonata XXVII in Si Minore ("Essercizi per Gravicembalo", London 1738) - K.028 - Sonata XXVIII in Mi Maggiore ("Essercizi per Gravicembalo", London 1738) - K.029 - Sonata XXIX in Re Maggiore ("Essercizi per Gravicembalo", London 1738) - K.030 - Sonata XXX in Sol Minore ("Essercizi per Gravicembalo", London 1738) - K.031 - Sonata in Sol Minore - K.035 - Sonata in Sol Minore, K.35 - K.043 - Sonata in Sol Minore - K.045 - Sonata in Re Maggiore - K.054 - Sonata in La Minore - K.058 - Sonata in Do Minore - K.060 - Sonata in Sol Minore - K.061 - Sonata in La Minore - K.067 - Sonata in Fa# Minore (transposed to f-min) - K.069 - Sonata in Fa Minore - K.072 - Sonata in Do Maggiore - K.084 - Sonata in Do Minore - K.102 - Sonata in Sol Minore - K.108 - Sonata in Sol Minore - K.109 - Sonata in La Minore - K.110 - Sonata in La Minore - K.111 - Sonata in Sol Minore - K.113 - Sonata in La Maggiore - K.119 - Sonata in Re Maggiore - K.120 - Sonata in Re Minore - K.121 - Sonata in Sol Minore - K.137 - Sonata in Re Maggiore - K.138 - Sonata in Re Minore - K.141 - Sonata in Re Minore - K.148 - Sonata in La Minore - K.149 - Sonata in La Minore - K.158 - Sonata in Do Minore - K.159 - Sonata in Do Maggiore - K.173 - Sonata in Si Minore - K.175 - Sonata in La Minore - K.179 - Sonata in Sol Minore - K.183 - Sonata in Fa Minore - K.184 - Sonata in Fa Minore - K.185 - Sonata in Fa Minore - K.186 - Sonata in Fa Minore - K.187 - Sonata in Fa Minore - K.191 - Sonata in Re Minore - K.195 - Sonata in Fa Maggiore - K.196 - Sonata in Sol Minore - K.204a - Sonata in Fa Minore - K.208 - Sonata in La Maggiore - K.209 - Sonata in La Maggiore - K.213 - Sonata in Re Minore - K.218 - Sonata in La Minore - K.227 - Sonata in Si Minore - K.238 - Sonata in Fa Minore - K.239 - Sonata in Fa Minore - K.293 - Sonata in Si Minore - K.315 - Sonata in Sol Minore - K.322 - Sonata in La Maggiore - K.323 - Sonata in La Maggiore - K.358 - Sonata in Re Maggiore - K.376 - Sonata in Si Minore - K.377 - Sonata in Si Minore - K.380 - Sonata in Mi Maggiore - K.386 - Sonata in Fa Minore - K.387 - Sonata in Fa Minore - K.408 - Sonata in Si Minore - K.409 - Sonata in Si Minore - K.450 - Sonata in Sol Minore - K.455 - Sonata in Sol Maggiore - K.466 - Sonata in Fa Minore - K.467 - Sonata in Fa Minore - K.475 - Sonata in Mi b Maggiore - K.476 - Sonata in Sol Minore - K.491 - Sonata in Re Maggiore - K.492 - Sonata in Re Maggiore - K.497 - Sonata in Si Minore - K.498 - Sonata in Si Minore - K.517 - Sonata in Re Minore - K.545 - Sonata in Si b Maggiore - K.555 - Sonata in Fa Minore - Sonata (Gavotta) in re minore, K.64 - Sonata in re minore, K.77 -
by F. De Luca
SCHACK, BENEDICKT - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
di I. Chiappara
SCHAFFRATH, CHRISTOPH SCHEIBE, JOHANN ADOLPH SCHEIDT, SAMUEL SCHIEFERDECKER, JOHANN CHRISTIAN SCHIKANEDER, EMANUEL - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
di I. Chiappara
SCHOBERT, JOHANN SCHWANENBERGER, JOHANN GOTTFRIED SEIXAS, CARLOS (DE) SELLITTO, GIACOMO SHEELES, JOHN SIRET, NICOLAS SMITH, JOHN CHRISTOPHER (JR) - - Lesson II c-minor (from Lessons, 1755) - Op.1, Suites de Pieces pour le Clavecin (1732), 1. Suite I - Op.1, Suites de Pieces pour le Clavecin (1732), 2. Suite II - Op.1, Suites de Pieces pour le Clavecin (1732), 3. Suite III - Op.1, Suites de Pieces pour le Clavecin (1732), 4. Suite IV - Op.1, Suites de Pieces pour le Clavecin (1732), 5. Suite V - Op.1, Suites de Pieces pour le Clavecin (1732), 6. Suite VI - Op.2, Suites de Pieces pour le Clavecin (1735), 1. Suite I - Op.2, Suites de Pieces pour le Clavecin (1735), 2. Suite II - Op.2, Suites de Pieces pour le Clavecin (1735), 3. Suite III - Op.2, Suites de Pieces pour le Clavecin (1735), 4. Suite IV - Op.2, Suites de Pieces pour le Clavecin (1735), 5. Suite V - Op.2, Suites de Pieces pour le Clavecin (1735), 6. Suite VI - Sonata IX c-minor (from the Fifth Book of Ten Sonatas, 1765) -
by F. De Luca
SOLER, ANTONIO SOLER, VICENT MARTÍN I SORGE, GEORG ANDREAS SPERANZA, ALESSANDRO STANLEY, JOHN - - Op.5, 01. Voluntary I (1748) - Op.5, 02. Voluntary II (1748) - Op.5, 03. Voluntary III (1748) - Op.5, 04. Voluntary IV (1748) - Op.5, 05. Voluntary V (1748) - Op.5, 06. Voluntary VI (1748) - Op.5, 07. Voluntary VII (1748) - Op.5, 08. Voluntary VIII (1748) - Op.5, 09. Voluntary IX (1748) - Op.5, 10. Voluntary X (1748) - Op.6, 01. Voluntary I (1752) - Op.6, 02. Voluntary II (1752) - Op.6, 03. Voluntary III (1752) - Op.6, 04. Voluntary IV (1752) - Op.6, 05. Voluntary V (1752) - Op.6, 06. Voluntary VI (1752) - Op.6, 07. Voluntary VII (1752) - Op.6, 08. Voluntary VIII (1752) - Op.6, 09. Voluntary IX (1752) - Op.6, 10. Voluntary X (1752) - Op.7, 01. Voluntary I (1754) - Op.7, 02. Voluntary II (1754) - Op.7, 03. Voluntary III (1754) - Op.7, 04. Voluntary IV (1754) - Op.7, 05. Voluntary V (1754) - Op.7, 06. Voluntary VI (1754) - Op.7, 07. Voluntary VII (1754) - Op.7, 08. Voluntary VIII (1754) - Op.7, 09. Voluntary IX (1754) - Op.7, 10. Voluntary X (1754) -
by F. De Luca
STEFFANI, AGOSTINO - Mission. Cecilia Bartoli - I Barocchisti, dir. Diego Fasolis
recensione di I. Chiappara
STELLA, SIMONE STORACE, BERNARDO STRADELLA, ALESSANDRO STROZZI, BARBARA SWEELINCK, JAN PIETERSZOON
T
TARTINI, GIUSEPPE TELEMANN, GEORG PHILIPP - Flavius Bertaridus. Academia Montis Regalis, dir. Alessandro De Marchi
recensione di M. Frigeni
- Germanicus. Gotthold Schwarz, dir.
recensione di M. Frigeni
- Miriways. L’Orfeo Barockorchester, dir: Michi Gaigg
recensione di M. Frigeni
- - (BWV Anh. 126) Notenbüchlein für Anna Magdalena Bach (1725): Musette in D major (by G. P. Telemann?) - Douzaine 1. Fantasia No. 01 D-dur / Fantasia No. 02 d-moll (TWV 33:1,2) - Douzaine 1. Fantasia No. 03 E-dur / Fantasia No. 04 e-moll (TWV 33:3,4) - Douzaine 1. Fantasia No. 05 F-dur / Fantasia No. 06 f-moll (TWV 33:5,6) - Douzaine 1. Fantasia No. 07 G-dur / Fantasia No. 08 g-moll (TWV 33:7,8) - Douzaine 1. Fantasia No. 09 A-dur / Fantasia No. 10 a-moll (TWV 33:9,10) - Douzaine 1. Fantasia No. 11 B-dur / Fantasia No. 12 Es-dur (TWV 33:11,12) - Douzaine 2. Fantasia No. 01 c-moll / Fantasia No. 02 C-dur (TWV 33:13,14) - Douzaine 2. Fantasia No. 03 h-moll / Fantasia No. 04 D-dur (TWV 33:15,16) - Douzaine 2. Fantasia No. 05 g-moll / Fantasia No. 06 B-dur (TWV 33:17,18) - Douzaine 2. Fantasia No. 07 a-moll / Fantasia No. 08 A-dur (TWV 33:19,20) - Douzaine 2. Fantasia No. 09 e-moll / Fantasia No. 10 G-dur (TWV 33:21,22) - Douzaine 2. Fantasia No. 11 g-moll / Fantasia No. 12 B-dur (TWV 33:23,24) - Douzaine 3. Fantasia No. 01 F-dur / Fantasia No. 02 d-moll (TWV 33:25,26) - Douzaine 3. Fantasia No. 03 e-moll / Fantasia No. 04 G-dur (TWV 33:27,28) - Douzaine 3. Fantasia No. 05 g-moll / Fantasia No. 06 c-moll (TWV 33:29,30) - Douzaine 3. Fantasia No. 07 A-dur / Fantasia No. 08 a-moll (TWV 33:31,32) - Douzaine 3. Fantasia No. 09 h-moll / Fantasia No. 10 D-dur (TWV 33:33,34) - Douzaine 3. Fantasia No. 11 Es-dur / Fantasia No. 12 B-dur (TWV 33:35,36) - Ouvertüre No.1 (Suite) g-Moll TWV 32:5 - Ouvertüre No.2 (Suite) A-Dur TWV 32:6 - Ouvertüre No.3 (Suite) F-Dur TWV 32:7 - Ouvertüre No.4 (Suite) e-Moll TWV 32:8 - Ouvertüre No.5 (Suite) Es-Dur TWV 32:9 - Ouvertüre No.6 (Suite) h-Moll TWV 32:10 -
by F. De Luca
TERRADELLAS, DOMÈNEC TINAZZOLI, AGOSTINO TOMEONI, PELLEGRINO TRAETTA, TOMMASO TRAVERS, JOHN TURNER, ELIZABETH TURRINI, FERDINANDO GASPARO
V
VALENTE, ANTONIO VAN NOORDT, SYBRANDUS VENEZIANO, GAETANO VERACINI, FRANCESCO MARIA - Adriano in Siria. Ann Hallenberg - Invernizzi - Prina - Basso - Cirillo - Guagliardo / Europa Galante, dir: Fabio Biondi
recensione di M. Frigeni
VINCI, LEONARDO VIVALDI, ANTONIO - Arie per tenore. Diego Fasolis, dir.
recensione di M. Frigeni
- CUPIDO TU VEDI - Concerti e Cantate. Accademia Ottoboni
recensione di I. Chiappara
- Catone in Utica. Il Complesso Barocco, dir: Alan Curtis
recensione di M. Frigeni
- Concerti per archi, Volume II. Concerto Italiano
, dir: Rinaldo Alessandrini
recensione di M. Frigeni
- Concerti per fagotto, vol2. Sergio Azzolini (fagotto) - L'Aura Soave Cremona
recensione di M. Frigeni
- Concerti per violino IV "L'imperatore". Riccardo Minasi, violino e dir.
recensione di M. Frigeni
- Ercole sul Termodonte. Fabio Biondi, dir.
recensione di M. Frigeni
- Farnace. Diego Fasolis, dir.
recensione di I. Chiappara
- Il Teuzzone. Le Concert des Nations - Jordi Savall, dir.
recensione di M. Frigeni
- L'Oracolo in Messenia. Europa Galante, dir. Fabio Biondi
recensione di M. Frigeni
- L'incoronazione di Dario. Accademia Bizantina, dir:
Ottavio Dantone
recensione di M. Frigeni
- La Repubblica a Teatro: Venezia nel Settecento. Vivaldi - Opera Arias and Concertos (K. Hammarström / Concerto de’ Cavalieri / M. Di Lisa)
di I. Chiappara
- Opera Arias. Roberta Invernizzi
recensione di M. Frigeni
- Orlando 1714. Modo Antiquo, dir. Federico Maria Sardelli
recensione di M. Frigeni
- Ottone in Villa (Edizione Brilliant Classics). Federico Guglielmo, dir.
recensione di M. Frigeni
- Ottone in Villa (Edizione Naïve). Giovanni Antonini, dir.
recensione di M. Frigeni
- - [Transcription] Armatae face et anguibus (Juditha triumphans, 1716) - [Transcription] Concerto in La Minore Op.3 No.6 (RV 356) - [Transcription] Concerto in La Minore Op.4 No.4 (RV 357) - [Transcription] Concerto in Re Minore Op.3 No.11 (RV 565) - [Transcription] Concerto in Sol Minore (RV 157) - [Transcription] [Aria] Gelido in ogni vena" (Farnace, 1727) - [obsolete recording] [Transcription] Concerto in Re Minore, no.11 Op.3 (RV 565) -
by F. De Luca
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WALOND, WILLIAM WEBER, CARL MARIA VON - Les Fées à la Mode VII. Un'incursione nella Romantische Oper - Ernst Theodor Amadeus Hoffmann e l'Undine di Friedrich de la Motte-Fouqué (Berlino 1816)
di I. Chiappara
WISE, SAMUEL WITT, CHRISTIAN FRIEDRICH
Z
ZACHOW, FRIEDRICH WILHELM ZIPOLI, DOMENICO
(Compositori / Composers)
1612 Italian Vespers. I Fagiolini, dir. Robert Hollingworth
recensione di I. Chiappara
A Tribute to Faustina Bordoni. Vivica Genaux - Cappella Gabetta - dir. Andres Gabetta
recensione di M. Frigeni
Agrippina: Graun, Handel, Perti, Porpora. Ann Hallenberg - Il Pomo d'Oro, dir: Riccardo Minasi
recensione di M. Frigeni
Alleluia. Julia Lezhneva, soprano - Il Giardino Armonico, dir. Giovanni Antonini
review by J. van Veen
Amore e morte dell’amore. Invernizzi - Prina - Minasi, Ensemble Claudiana, Dir: Luca Pianca
review by J. van Veen
Arias for Anna de Amicis. Teodora Gheorghiu, soprano. Christophe Rousset, dir.
recensione di M. Frigeni
Cantar bastardo. Il cantare alla viola - La viola da gamba e il suo successo nelle Corti italiane del Cinquecento - Marco Scavazza (voce), Cristiano Contadin (viola da gamba)
di I. Chiappara
Carmelite Vespers 1709. Alessandro De Marchi, dir.
recensione di M. Frigeni
Castello & Co: Venetian sonatas for winds and strings from the 17th century. Caecilia-Concert
review by J. van Veen
Christmas at San Marco. Peter Kopp, dir.
recensione di M. Frigeni
Division-Musick: Baltzar Banister Eccles Jenkins Lawes Simpson. Musicke and Mirth
review by J. van Veen
Duetti. Philippe Jaroussky, Max Emanuel Cencic
recensione di L. Maltagliati
Ferveur & Extase. Stephanie d'Oustrac - Ensemble Amarillis
recensione di I. Chiappara
Fortuna Scherzosa. Ina Siedlaczek, soprano
- Hamburger Ratsmusik
recensione di M. Frigeni
Franco Fagioli. Arias for Caffarelli
di I. Chiappara
I viaggi di Faustina. Roberta Invernizzi, soprano - I Turchini, dir. Antonio Florio
recensione di M. Frigeni
Il Concerto delle viole Barberini. Ensemble Mare Nostrum - Vox Luminis, dir. Andrea De Carlo
recensione di I. Chiappara
Il mito dell'androgino nell'arte e nella musica barocca. Andrea Sacchi - Ritratto di Marcantonio Pasqualini (1641)
di I. Chiappara
Italian Love Cantatas. Silvia Vajente, soprano - Epoca Barocca
review by J. van Veen
L'Olimpiade. Venice Baroque Orchestra
recensione di M. Frigeni
La Meraviglia, Ohimè! degli Intermedi. Mostruoso e fantastico negli apparati delle feste medicee dal 1565 al 1589 - Sala dei Cinquecento e Teatro degli Uffizi - Gli Intermezzi della Pellegrina
di I. Chiappara
Le Retour de la Paix - Cantates et concerts royaux. Martin Gester, dir.
recensione di I. Chiappara
Les Fées à la Mode I. Napoli e Parigi capitali della fiaba barocca: l'opera e il meraviglioso nel Settecento
di I. Chiappara
Leçons de Ténèbres. In Musica Veritas
review by J. van Veen
Music from eighteenth-century Prague. Collegium Vocale 1704, Collegium 1704, Dir: Václav Luks
review by J. van Veen
Nel giardino incantato di Vignanello
di I. Chiappara
Passioni e Furori di Armida
di I. Chiappara
Passo di pena in pena - Cantate italiane. Flavio Ferri-Benedetti, alto - Ensemble Il Profondo
review by J. van Veen
Rinaldo (Napoli 1718) [Handel-Leo]. Orchestra 'La Scintilla', Iervolino-Remigio-Fernandez-Castellano-Ascioti-Savinova, dir: Fabio Luisi
recensione di M. Frigeni
Rival Queens. Simone Kermes / Vivica Genaux / Cappella Gabetta, dir: Andrés Gabetta
recensione di M. Frigeni
Ruckers 1604. Marco Vitale, spinet-virginal
recensione di Zadok
Sogno Barocco. Anne Sofie von Otter - Sandrine Piau - dir. Leonardo Garcia-Alarcon
review by J. van Veen
The Century of the Portuguese. Enrico Onofri, dir.
recensione di M. Frigeni
Un dolce affanno: Fux, Caldara, Ariosti. Calamus Consort
review by J. van Veen
Una Follia di Napoli - Concerti e Sinfonie per Flauto. Maurice Steger, recorder
review by J. van Veen
Versailles 1664-1674. Les Plaisirs de l'Ile Enchantée, maggio 1664 - Le Grand Divertissement Royal de Versailles, luglio 1668 - Les Divertissements de Versailles, luglio ed agosto 1674
di I. Chiappara
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