IUMA Indice Unico Musica e Articoli
(Miscellanea: Musica e Saggi)
A - B - C - D - E - F - G - H - I - J - K - L - M - N
O - P - Q - R - S - T - U - V - W - X - Y - Z
A
AGNESI, MARIA TERESA AGRELL, JOHAN JOACHIM AGRICOLA, JOHANN FRIEDRICH ALBERTI, DOMENICO ALBINONI, TOMASO ALLEGRI, GREGORIO ALTNICKOL, JOHANN CHRISTOPH ANONYMOUS, Anonymous ARNE, THOMAS ASPRELLA, MIRCO AVISON, CHARLES
B
BABELL, WILLIAM BABOU, THOMAS BACH, CARL PHILIPP EMANUEL - - (BWV Anh. 122) Notenbüchlein für Anna Magdalena Bach (1725): March in D major (attr. CPE Bach) - (BWV Anh. 123) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G minor (attr. CPE Bach) - (BWV Anh. 124) Notenbüchlein für Anna Magdalena Bach (1725): March in G major (attr. CPE Bach) - 12 Variationes über die Folie d'Espagne, Wq.118/9 [H.263] - Alla Polacca in C major Wq. 116/4, H. 215 - Alla Polacca in D major Wq. 112/17, H. 170 - Alla Polacca in a minor Wq. 112/5, H. 166 - Alla Polacca in g minor Wq. 112/11, H. 168 - Amalien Sonaten: Sonata No.1 in F Major, Wq. 50/1, H.136 (1760) - Amalien Sonaten: Sonata No.2 in G Major, Wq. 50/2, H.137 (1760) - Amalien Sonaten: Sonata No.3 in A Minor, Wq. 50/3, H.138 (1760) - Amalien Sonaten: Sonata No.4 in D Minor, Wq. 50/4, H.139 (1760) - Amalien Sonaten: Sonata No.5 in B-flat Major, Wq. 50/5, H.126 (1760) - Amalien Sonaten: Sonata No.6 in C Minor, Wq. 50/6, H.140 (1760) - Arioso con 7 variazioni in F major W. 118/4, H. 54 - Clavierstücke in A major Wq. 117/1, H. 241 - Damen Sonaten: Sonata No.1 in F Major, Wq. 54/1, H. 204 (1770) - Damen Sonaten: Sonata No.2 in C Major, Wq. 54/2, H. 205 (1770) - Damen Sonaten: Sonata No.3 in D Minor, Wq. 54/3, H. 184 (1770) - Damen Sonaten: Sonata No.4 in B-flat Major, Wq. 54/4, H. 206 (1770) - Damen Sonaten: Sonata No.5 in D Major, Wq. 54/5, H. 185 (1770) - Damen Sonaten: Sonata No.6 in A Major, Wq. 54/6, H. 207 (1770) - Fantasia d-moll, Wq. 117/15, H. 195 (1765) - Fantasia in B flat major Wq. 112/8, H. 146 - Fantasia in D major Wq. 112/2, H. 144 - Fantasia in F major Wq. 112/15, H. 148 - Fantasia in G major Wq. 117/11, H. 223 - Fantasia in d minor Wq. 117/12, H. 224 - Fortsetzung Sonaten: Sonata No.2 in B-flat Major, Wq. 51/2, H. 151 (1761) - Fortsetzung Sonaten: Sonata No.3 in C Minor, Wq. 51/3, H. 127 (1761) - Fortsetzung Sonaten: Sonata No.4 in D Minor, Wq. 51/4, H. 128 (1761) - Fortsetzung Sonaten: Sonata No.5 in F Major, Wq. 51/5, H. 141 (1761) - Fortsetzung Sonaten: Sonata No.6 in G Minor, Wq. 51/6, H. 62 (1761) - Fuga a 2 d-moll, Wq. 119/2, H. 99 (1755) - Kleinesonaten (Sonatine): Sonatina I in F Major, Wq. 64/1, H. 7 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina II in G Major, Wq. 64/2, H. 8 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina III in A Minor, Wq. 64/3, H. 9 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina IV in E Minor, Wq. 64/4, H. 10 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina V in D Major, Wq. 64/5, H. 11 (1734/rev.1744) - Kleinesonaten (Sonatine): Sonatina VI in C Minor, Wq. 64/6, H. 12 (1734/rev.1744) - L'Aly Rupalich 'La Bach' W. 117/27, H. 95 - L'Auguste (Polonoise) W. 117/22, H. 122 - L'Ernestine W. 117/38, H. 124 - L'Herrmann W. 117/23, H. 92 - L'Irresoluë W. 117/31, H. 111 - La Bergius W. 117/20, H. 90 - La Boehmer W. 117/26, H. 81 - La Borchward (Polonoise) W. 117/17, H. 79 - La Buchholtz W. 117/24, H. 93 - La Capricieuse W. 117/33, H. 113 - La Caroline W. 117/39, H. 98 - La Complaisante W. 117/28, H. 109 - La Gabriel W. 117/35, H. 97 - La Gause W. 117/37, H. 82 - La Gleim (Rondeau) W. 117/19, H. 89 - La Journalière W. 117/32, H. 112 - La Louise W. 117/36, H. 114 - La Philippine W. 117/34, H. 96 - La Pott (Menuet) W. 117/18, H. 80 - La Prinzette W. 117/21, H. 91 - La Stahl W. 117/25, H. 94 - La Xénophon 'La Sybille' W. 117/29, H. 123 - Leichte Sonaten: Sonata No.3 a-moll, Wq. 53/3, H. 181 (1766) - Les Langueurs tendres W. 117/30, H. 110 - Minuetto in C major Wq. 116/5, H. 216 - Minuetto in D major Wq. 116/3, H. 214 - Minuetto in F major Wq. 116/7, H. 218 - Solfeggio in A major Wq. 117/4, H. 222 - Solfeggio in E flat major Wq. 117/3, H. 221 - Solfeggio in G major Wq. 112/4, H. 145 - Solfeggio in c minor Wq. 117/2, H. 220 - Solo per il Cembalo BWV Anh 129 (an early version of Sonata in E flat major Wq. 65/7, H. 16) - Sonata (Suite) in e Minor, Wq.62/12; H.66 - Sonata B-dur Wq.62/1; H.2 - Sonata h-moll, Wq. 62/22, H. 132 (1758/60) - Sonata in A Major, Wq.55/4; H.186 - Sonata in E Major, Wq.62/5; H.39 - Sonata in a Minor, Wq.50/3; H.138 - Sonata in d Minor, Wq.62/4; H.38 - Sonata in f minor, Wq.62/6; H.40 - Sonate Prussiane: Sonata No.1 in F Major, Wq. 48/1, H.24 (1742) - Sonate Prussiane: Sonata No.2 in B-flat Major, Wq. 48/2, H.25 (1742) - Sonate Prussiane: Sonata No.3 in E Major, Wq. 48/3, H.26 (1742) - Sonate Prussiane: Sonata No.4 in C Minor, Wq. 48/4, H.27 (1742) - Sonate Prussiane: Sonata No.5 in C Major, Wq. 48/5, H.28 (1742) - Sonate Prussiane: Sonata No.6 in A Major, Wq. 48/6, H.29 (1742) - Sonatina I in G major (Allegro) Wq. 63/7, H. 292 - Sonatina II in E major Wq. 63/8, H. 293 - Sonatina III in D major (Allegretto) Wq. 63/9, H. 294 - Sonatina IV in B flat major (Allegretto) Wq. 63/10, H. 295 - Sonatina V in F major (Andante) Wq. 63/11, H. 296 - Sonatina VI in d minor (Prestissimo) Wq. 63/12, H. 297 - Württemberg Sonatas: Sonata I in A Minor, Wq. 49/1, H. 30 (1744) - Württemberg Sonatas: Sonata II in A-flat Major, Wq. 49/2, H. 31 (1744) - Württemberg Sonatas: Sonata III in E Minor, Wq. 49/3, H. 32 (1744) - Württemberg Sonatas: Sonata IV in B-flat Major, Wq. 49/4, H. 33 (1744) - Württemberg Sonatas: Sonata V in E-flat Major, Wq. 49/5, H. 34 (1744) - Württemberg Sonatas: Sonata VI in B Minor, Wq. 49/6, H. 36 (1744) - [obsolete recording] Preussischen Sonaten: no.1, Wq.48/1 - [obsolete recording] Preussischen Sonaten: no.2, Wq.48/2 - [obsolete recording] Preussischen Sonaten: no.3, Wq.48/3 - [obsolete recording] Preussischen Sonaten: no.4, Wq.48/4 - [obsolete recording] Preussischen Sonaten: no.5, Wq.48/5 - [obsolete recording] Preussischen Sonaten: no.6, Wq.48/6 -
 by F. De Luca
BACH, JOHANN CHRISTIAN BACH, JOHANN SEBASTIAN - - (BWV 1079) Ricercare a 6 voci ("Musicalisches Opfer") - (BWV 1080) Contrapunctus XIV - (BWV 1080) Contrapunctus XIV (reconstructed by Davitt Moroney [G. Henle Verlag, 1989]) - (BWV 1080) Die Kunst der Fuge - (BWV 772) Inventio 1 C-Dur - (BWV 773) Inventio 2 c-moll - (BWV 774) Inventio 3 D-Dur - (BWV 775) Inventio 4 d-moll - (BWV 776) Inventio 5 Es-Dur - (BWV 777) Inventio 6 E-Dur - (BWV 778) Inventio 7 e-moll - (BWV 779) Inventio 8 F-Dur - (BWV 780) Inventio 9 f-moll - (BWV 781) Inventio 10 G-Dur - (BWV 782) Inventio 11 g-moll - (BWV 783) Inventio 12 A-Dur - (BWV 784) Inventio 13 a-moll - (BWV 785) Inventio 14 Hs-Dur - (BWV 786) Inventio 15 h-moll - (BWV 787) Sinfonia 1 C-Dur - (BWV 788) Sinfonia 2 c-moll - (BWV 789) Sinfonia 3 D-Dur - (BWV 790) Sinfonia 4 d-moll - (BWV 791) Sinfonia 5 Es-Dur - (BWV 792) Sinfonia 6 E-Dur - (BWV 793) Sinfonia 7 e-moll - (BWV 794) Sinfonia 8 F-Dur - (BWV 795) Sinfonia 9 f-moll - (BWV 796) Sinfonia 10 G-Dur - (BWV 797) Sinfonia 11 g-moll - (BWV 798) Sinfonia 12 A-Dur - (BWV 799) Sinfonia 13 a-moll - (BWV 800) Sinfonia 14 Hs-Dur - (BWV 801) Sinfonia 15 h-moll - (BWV 806) Englische Suite No.1 - (BWV 807) Englische Suite No.2 - (BWV 808) Englische Suite No.3 - (BWV 809) Englische Suite No.4 - (BWV 810) Englische Suite No.5 - (BWV 811) Englische Suite No.6 - (BWV 812) Französische Suiten - 1. Suite d-Moll - (BWV 813) Französische Suiten - 2. Suite c-Moll - (BWV 814) Französische Suiten - 3. Suite h-Moll - (BWV 815) Französische Suiten - 4. Suite Es-Dur - (BWV 816) Französische Suiten - 5. Suite G-Dur - (BWV 817) Französische Suiten - 6. Suite E-Dur - (BWV 818a) Suite in A Minor - (BWV 822) Ouverture g-moll - (BWV 825) Clavierübung Teil I: Partita I B-Dur - (BWV 826) Clavierübung Teil I: Partita II c-Moll - (BWV 827) Clavierübung Teil I: Partita III a-Moll - (BWV 828) Clavierübung Teil I: Partita IV D-Dur - (BWV 829) Clavierübung Teil I: Partita V G-Dur - (BWV 830) Clavierübung Teil I: Partita VI e-Moll - (BWV 831) Ouverture-Partita h moll - (BWV 846) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.01 - (BWV 847) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.02 - (BWV 848) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.03 - (BWV 849) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.04 - (BWV 850) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.05 - (BWV 851) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.06 - (BWV 852) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.07 - (BWV 853) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.08 - (BWV 854) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.09 - (BWV 855) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.10 - (BWV 856) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.11 - (BWV 857) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.12 - (BWV 858) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.13 - (BWV 859) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.14 - (BWV 860) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.15 - (BWV 861) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.16 - (BWV 862) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.17 - (BWV 863) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.18 - (BWV 864) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.19 - (BWV 865) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.20 - (BWV 866) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.21 - (BWV 867) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.22 - (BWV 868) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.23 - (BWV 869) Das Wohltemperierte Klavier, Teil 1: Praeludium und Fuga Nr.24 - (BWV 870) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.01 - (BWV 871) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.02 - (BWV 872) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.03 - (BWV 873) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.04 - (BWV 874) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.05 - (BWV 875) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.06 - (BWV 876) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.07 - (BWV 877) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.08 - (BWV 878) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.09 - (BWV 879) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.10 - (BWV 880) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.11 - (BWV 881) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.12 - (BWV 882) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.13 - (BWV 883) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.14 - (BWV 884) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.15 - (BWV 885) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.16 - (BWV 886) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.17 - (BWV 887) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.18 - (BWV 888) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.19 - (BWV 889) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.20 - (BWV 890) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.21 - (BWV 891) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.22 - (BWV 892) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.23 - (BWV 893) Das Wohltemperierte Klavier, Teil 2: Praeludium und Fuga Nr.24 - (BWV 894) Prelude and Fugue in A Minor - (BWV 895) Präludium und Fuge a-moll - (BWV 897) Preludio e Fuga a-moll (spurious) - (BWV 903) Chromatic Fantasia and Fugue in D Minor - (BWV 904) Fantasia and Fuga in a minor - (BWV 905/Anh.II 87) Fantasia e Fuga d-moll (doubtful work) - (BWV 906) Fantasia and Fugue in c minor - (BWV 909) Concerto e Fuga c-moll - (BWV 910) Toccata fis-moll - (BWV 911) Toccata c-moll - (BWV 912) Toccata D-dur - (BWV 913) Toccata d-moll - (BWV 914) Toccata e-moll - (BWV 915) Toccata g-moll - (BWV 916) Toccata G-dur - (BWV 917/956) Fantasia and Fuga in g minor - (BWV 920) Fantasia g-moll - (BWV 921) Fantasia c-moll (doubtful work) - (BWV 922) Fantasia [o Preludio] in A Minor - (BWV 923) Preludio in B Minor - (BWV 924) Prelude C-Dur (Praeambulum) - (BWV 925) Prelude D-Dur - (BWV 926) Prelude d-moll - (BWV 927) Prelude F-Dur (Praeambulum) - (BWV 928) Prelude F-Dur - (BWV 929) Prelude g-moll (Trio) - (BWV 930) Prelude g-moll (Praeambulum) - (BWV 933) Prelude in C-Dur - (BWV 934) Prelude in c-moll - (BWV 935) Prelude in d-moll - (BWV 936) Prelude in D-Dur - (BWV 937) Prelude in E-Dur - (BWV 938) Prelude in e-moll - (BWV 939) Prelude in C-Dur - (BWV 940) Prelude in d-moll - (BWV 941) Prelude in e-moll - (BWV 942) Prelude in a-moll - (BWV 943) Prelude in C-Dur - (BWV 944) Fantasia and Fugue in A Minor - (BWV 947) Fuga in A Minor - (BWV 948) Fuga in D Minor - (BWV 951) Fuga in B Minor 'su tema di Albinoni' - (BWV 961) Fughetta c-moll - (BWV 964) Sonata in d minor - (BWV 967) Sonata in A Minor - (BWV 971) Concerto nach italiänischem Gusto [Concerto italiano] in F Major - (BWV 972) Concerto I in D major (after Violin Concerto in D major, Op.3 No.9, RV 230 by A. Vivaldi) - (BWV 973) Concerto II in G major (after Violin Concerto in G major, Op.7/II No.2, RV 299 by A. Vivaldi) - (BWV 974) Concerto III in D minor (after Oboe Concerto in D minor, S.Z799 by A. Marcello) - (BWV 975) Concerto IV in G minor (after Violin Concerto in G minor, Op.4 No.6, RV 316, by A. Vivaldi) - (BWV 976) Concerto V in C major (after Violin Concerto in E major, Op.3 No.12, RV 265 by A. Vivaldi) - (BWV 977) Concerto VI in C major (source unidentified) - (BWV 978) Concerto VII in F major (after Violin Concerto in G major, Op.3 No.3, RV 310 by A. Vivaldi) - (BWV 979) Concerto VIII in B minor (after a Concerto in D minor by G. Torelli or Vivaldi's RV Anh. 10) - (BWV 980) Concerto IX in G major (after Violin Concerto in B-flat minor, Op.4 No.1, RV 381, by A. Vivaldi) - (BWV 981) Concerto X in C minor (after Violin Concerto in C minor, Op.1 No.2, by B. Marcello) - (BWV 982) Concerto XI in B flat major (after No.1 of the 6 Violin Concertos, Op.1, by Johann Ernst Prinz von Sachsen-Weimar) - (BWV 983) Concerto XII in G minor (source unidentified) - (BWV 984) Concerto XIII in C major (after Violin Concerto in C major, Op.1 No.4, by Johann Ernst Prinz von Sachsen-Weimar) - (BWV 985) Concerto XIV in G minor (after Violin Concerto, TWV 51:g1 by G.P. Telemann) - (BWV 986) Concerto XV in G major (source unidentified) - (BWV 987) Concerto XVI in D minor (after one of the 6 Violin Concertos, Op.1, by Johann Ernst Prinz von Sachsen-Weimar) - (BWV 988) Goldberg-Variationen - (BWV 989) Aria variata alla maniera Italiana a-moll - (BWV 990) Sarabande con Partite C-Dur - (BWV 992) Capriccio 'sopra la lontananza del suo fratello dilettissimo' in B-flat Major - (BWV 993) Capriccio 'honorem Johann Christoph Bach ii' E-Dur - (BWV 995) Suite in g minor - (BWV 996) Suite in e minor - (BWV 997) Partita in c minor - (BWV 998) Preludio, Fuga e Allegro Es-Dur - (BWV 999) Preludio c-moll - (BWV Anh. 101) Fuge g-moll - (BWV Anh. 113) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in F major - (BWV Anh. 114) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in G major (attr. C. Petzold) - (BWV Anh. 115) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in G minor (attr. C. Petzold) - (BWV Anh. 116) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in G major - (BWV Anh. 117a) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in F major - (BWV Anh. 118) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in B-flat major - (BWV Anh. 119) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G minor - (BWV Anh. 120) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in A minor - (BWV Anh. 121) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in C minor - (BWV Anh. 122) Notenbüchlein für Anna Magdalena Bach (1725): March in D major (attr. CPE Bach) - (BWV Anh. 123) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G minor (attr. CPE Bach) - (BWV Anh. 124) Notenbüchlein für Anna Magdalena Bach (1725): March in G major (attr. CPE Bach) - (BWV Anh. 126) Notenbüchlein für Anna Magdalena Bach (1725): Musette in D major (by G. P. Telemann?) - (BWV Anh. 127) Notenbüchlein für Anna Magdalena Bach (1725): March in E-flat major - (BWV Anh. 128) Notenbüchlein für Anna Magdalena Bach (1725): [Polonaise] in D minor - (BWV Anh. 130) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G major (by J. A. Hasse?) - (BWV Anh. 131) Notenbüchlein für Anna Magdalena Bach (1725): [Gavotte] in F major - (BWV Anh. 132) Notenbüchlein für Anna Magdalena Bach (1725): Minuet in D minor - (BWV Anh. 85) Toccata f-moll - (BWV deest) Praeludium g-moll (doubtful work) - Fuga e-moll (spurious work) known as 'Anonymous: Fuga per il Clavi Cembalo' (ULB Mus.Ms.1426 Darmstadt) - [Transcription] (BWV 1004) Ciaccona (transcribed / transposed to G Minor by P. Gouin) - [Transcription] (BWV 1004) Partita II d-moll per violino solo (adaptée pour le clavecin par P. Gouin) - [obsolete recording] Chromatic Fantasia and Fugue, BWV 903 - [obsolete recording] Concerto Italiano, BWV 971 - [obsolete recording] English Suite no.2, in a minor, BWV 807 - [obsolete recording] English Suite no.3, in g minor, BWV 808 - [obsolete recording] Suites Françaises: 1. Première suite en ré mineur, BWV 812 - [obsolete recording] Suites Françaises: 2. Deuxième suite en do mineur, BWV 813 - [obsolete recording] Suites Françaises: 3. Troisième suite en si mineur, BWV 814 - [obsolete recording] Suites Françaises: 4. Quatrième suite en mi bémol maj, BWV 815 - [obsolete recording] Suites Françaises: 5. Cinquième suite en sol maj, BWV 816 - [obsolete recording] Suites Françaises: 6. Sixième suite en mi maj, BWV 817 - [obsolete recording] Toccata in d minor, BWV 913 - [obsolete recording] Toccata in e minor, BWV 914 -
by F. De Luca
BACH, WILHELM FRIEDEMANN BACH ("Hallescher Clavier-Bach"), JOHANN CHRISTIAN BALBASTRE, CLAUDE-BÉNIGNE BAMBINI, FELICE BARRIÈRE, JEAN BASSANI, GIOVANNI BATTISTA BEAUVARLET-CHARPENTIER, JEAN-JACQUES BEETHOVEN, LUDWIG VAN BELLI, DOMENICO BELLINI, VINCENZO TOBIA NICOLA BERSANETTI, GIANLUCA BERTONI, FERDINANDO BLOW, JOHN BOCCHERINI, LUIGI BON, ANNA BONONCINI, ANTONIO MARIA BONONCINI, GIOVANNI BOYCE, WILLIAM - - 1. Voluntary I in D major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 10. Voluntary X in G major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 2. Voluntary II in G major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 3. Voluntary III in C major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 4. Voluntary IV in G minor (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 5. Voluntary V in D major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 6. Voluntary VI in C major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 7. Voluntary VII in D minor (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 8. Voluntary VIII in C major (Ten Voluntaries for the Organ or Harpsichord, London c1779) - 9. Voluntary IX in A minor (Ten Voluntaries for the Organ or Harpsichord, London c1779) - Voluntary in a-minor - Voluntary in d-minor - Voluntary in g-minor -
by F. De Luca
BRESCIANELLO, GIUSEPPE ANTONIO - Tisbe. Il Gusto Barocco, dir: Jörg Halubek
 recensione di M. Frigeni
BURNEY, CHARLES - - Introduction and Fugue in e minor (c.1787) - Introduction in e-minor - Preludes, Fugues And Interludes (c1787) - 01 A Minor - Preludes, Fugues And Interludes (c1787) - 02 A Minor - Preludes, Fugues And Interludes (c1787) - 03 A Major - Preludes, Fugues And Interludes (c1787) - 04 A Major - Preludes, Fugues And Interludes (c1787) - 05 B-flat Major - Preludes, Fugues And Interludes (c1787) - 06 B-flat Major - Preludes, Fugues And Interludes (c1787) - 07 C Major - Preludes, Fugues And Interludes (c1787) - 08 C Major - Preludes, Fugues And Interludes (c1787) - 09 C Minor - Preludes, Fugues And Interludes (c1787) - 10 D Major - Six Sonatas For The Harpsichord (1761): Sonata I in A Major - Six Sonatas For The Harpsichord (1761): Sonata II in A Major - Six Sonatas For The Harpsichord (1761): Sonata III in A Major - Six Sonatas For The Harpsichord (1761): Sonata IV in A Major - Six Sonatas For The Harpsichord (1761): Sonata V in A Major - Six Sonatas For The Harpsichord (1761): Sonata VI in A Major - VI Cornet Pieces (1751): 1 Introduz[z]ione in e-minor - VI Cornet Pieces (1751): 2 Cornet I in e-minor - VI Cornet Pieces (1751): 3 Cornet II in A-major - VI Cornet Pieces (1751): 4 Cornet III in D-major - VI Cornet Pieces (1751): 5 Cornet IV in b-minor - VI Cornet Pieces (1751): 6 Cornet V in E-flat-major - VI Cornet Pieces (1751): 7 Cornet VI in B-flat-major - VI Cornet Pieces (1751): 8 Fugue in f-minor -
by F. De Luca
BUXTEHUDE, DIETERICH BYRD, WILLIAM BÒTTARI, DOMENICO BÖHM, GEORG
C
CABANILLES, JUAN BAUTISTA CALDARA, ANTONIO CAMPRA, ANDRÉ CARBONELLI, GIOVANNI STEFANO CARESANA, CRISTOFORO CARISSIMI, GIACOMO CAVALLARO, LENNY CHAMBONNIÈRES, JACQUES CHAMPION (DE) - - Chaconne en Do (from Manuscrit Bauyn) - Chaconne en Fa (from Manuscrit Bauyn) [attr. L. Couperin by A. Curtis, 1970] - Chaconne en Sol (from Manuscrit Bauyn) - Les Pieces de Clavessin, livre 1er (1670): I. Pièces en La Mineur - Les Pieces de Clavessin, livre 1er (1670): II. Pièces en Do Majeur - Les Pieces de Clavessin, livre 1er (1670): III. Pièces en Re Mineur et Majeur - Les Pieces de Clavessin, livre 1er (1670): IV. Pièces en Fa Majeur - Les Pieces de Clavessin, livre 1er (1670): V. Pièces en Sol Mineur et Majeur - Les Pieces de Clavessin, livre 2de (1670): IX. Pièces en Fa Majeur - Les Pieces de Clavessin, livre 2de (1670): VI. Pièces en Do Majeur - Les Pieces de Clavessin, livre 2de (1670): VII. Pièces en Re Mineur - Les Pieces de Clavessin, livre 2de (1670): VIII. Pièces en Re Majeur - Les Pieces de Clavessin, livre 2de (1670): X. Pièces en Sol Mineur et Majeur -
by F. De Luca
CHARPENTIER, MARC-ANTOINE CHAUMONT, LAMBERT CHELLERI, FORTUNATO CHILCOT, THOMAS CIAMPI, VINCENZO CIMAROSA, DOMENICO - - Sonata C. 10: [...], in Sol Maggiore - Sonata C. 11: [...], in La Maggiore - Sonata C. 12 / C. 13 in Re Maggiore - Sonata C. 14: [...], in Do Maggiore - Sonata C. 15: [...], in Sol Maggiore - Sonata C. 16: Andante, in Si bemolle Maggiore - Sonata C. 17: Andante, in Re Minore - Sonata C. 18: Allegro, in Si bemolle Maggiore - Sonata C. 19 / C. 20 / C. 21 in La Maggiore - Sonata C. 1: Allegro, in Si bemolle Maggiore - Sonata C. 2 / C. 3 in La Minore/Maggiore - Sonata C. 22 / C. 23 in Sol Minore/Maggiore - Sonata C. 24: [...], in Fa Maggiore - Sonata C. 25: Andante, in Sol Minore - Sonata C. 26 / C. 27 in Si bemolle Maggiore - Sonata C. 28: [...], in Do Minore - Sonata C. 29: Allegro, in La Maggiore - Sonata C. 30: Allegretto, in Re Maggiore - Sonata C. 31: Allegro, in Fa Maggiore - Sonata C. 32 / C. 33 / C. 34 in Sol Maggiore - Sonata C. 35 / C. 36 in La Maggiore/Minore - Sonata C. 37: Andantino, in Mi bemolle Maggiore - Sonata C. 38: Allegro, in Si bemolle Maggiore - Sonata C. 39: Allegro, in Do Minore - Sonata C. 40: Allegro, in La Maggiore - Sonata C. 41 / C. 42 / C. 43 in Fa Maggiore - Sonata C. 44: Allegro, in Mi bemolle Maggiore - Sonata C. 45 / C. 46 / C. 47 in La Maggiore - Sonata C. 48 / C. 49 / C. 50 in Do Maggiore - Sonata C. 4: Allegretto, in Sol Maggiore - Sonata C. 51 / C. 52 / C. 53 in Sol Maggiore - Sonata C. 54 / C. 55 / C. 56 in Do Maggiore - Sonata C. 57 / C. 58 / C. 59 in La Maggiore - Sonata C. 5: Allegretto, in Do Maggiore - Sonata C. 60 / C. 61 / C. 62 in Si bemolle Maggiore - Sonata C. 63: Allegro, in Re Maggiore - Sonata C. 64: Andantino, in Si bemolle Maggiore - Sonata C. 65: Allegro, in Re Maggiore - Sonata C. 66 / C. 67 / C. 68 in Do Minore - Sonata C. 69: Maestoso, in Si bemolle Maggiore - Sonata C. 6: [...], in Mi Minore - Sonata C. 70: Andantino, in Si bemolle Maggiore - Sonata C. 71: Allegro, in Fa Maggiore - Sonata C. 72: Allegro, in Sol Minore - Sonata C. 73: Allegro, in La Maggiore - Sonata C. 74: Largo, in Mi bemolle Maggiore - Sonata C. 75 / C. 76 in Re Minore/Maggiore - Sonata C. 77: Perfidia, in Si bemolle Maggiore - Sonata C. 78 / C. 79 / C. 80 in Si bemolle Maggiore - Sonata C. 7: [...], in Do Maggiore - Sonata C. 8 / C. 9 in Re Maggiore/Minore - Sonata C. 81: Allegro, in Re Maggiore - Sonata C. 82 (M. 1): [...], in Sol Maggiore - Sonata C. 83 (M. 2): Maestoso, in Fa Maggiore - Sonata C. 84 (M. 3): Rondò, in Fa Maggiore - Sonata C. 85 (M. 4): Maestoso, in Do Maggiore - Sonata C. 86 (M. 5): Andante grazioso, in Si bemolle Maggiore - Sonata C. 87 (M. 6): Allegro moderato, in La Maggiore - Sonata C. 88: Allegro, in Do Maggiore -
by F. De Luca
COLBURN, GRANT CORELLI, ARCANGELO - - [Transcription] Concerto Grosso Op.6, No.01 in Re Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.02 in Fa Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.03 in Do Minore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.04 in Re Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.05 in Si b Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.06 in Fa Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.07 in Re Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.08 in Sol Minore (adapt. Fernando De Luca) - [Transcription] Concerto Grosso Op.6, No.09 in Fa Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.10 in Do Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.11 in Si b Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Concerto Grosso Op.6, No.12 in Fa Maggiore (adapt. Thomas Billington, 1754-1832) - [Transcription] Sonata Op.5, No.1 in Re Maggiore - [Transcription] Sonata Op.5, No.5 in Sol Minore - [Transcription] Sonata Op.5, No.7 in Re Minore -
by F. De Luca
CORRETTE, MICHEL COTUMACCI, CARLO COUPERIN, ARMAND-LOUIS COUPERIN, FRANÇOIS - - L'Art de toucher le Clavecin (Allemande et VIII Preludes) - Les Baricades Mistérieuses (par le Sixième Ordre, si bémol majeur, 2nd livre) - Ordre I en Sol Mineur (Livre I, 1713) - Ordre II en Re Mineur (Livre I, 1713) - Ordre III en Ut Mineur (Livre I, 1713) - Ordre IV en Fa Majeur (Livre I, 1713) - Ordre V en La Majeur (Livre I, 1713) - Ordre VI en Si b Majeur (Livre II, 1716/17) - Ordre VII en Sol Majeur (Livre II, 1716/17) - Ordre VIII en si mineur (Livre II, 1716/17) - Ordre XI en Do Mineur et Majeur (Livre II, 1716/17) - Ordre XIII en Si Mineur (Livre III, 1722) - Ordre XIX en Re Mineur et Majeur (Livre III, 1722) - Ordre XVII en Mi Mineur (Livre III, 1722) - Ordre XVIII en Fa Mineur (Livre III, 1722) - Ordre XXI en Fa Mineur (Livre IV, 1730) - Ordre XXIV en La Mineur et Majeur (Livre IV, 1730) - Ordre XXV en Mi b Majeur et Do Mineur (Livre IV, 1730) - Ordre XXVI en Fa# Mineur (Livre IV, 1730) - Ordre XXVII en Si Mineur (Livre IV, 1730) - Treizième ordre en si mineur (par la Troisième livre de clavecin) - [Transcription] Troisième Leçon (Leçons de ténèbres à une et à deux voix, 1714) -
by F. De Luca
COUPERIN, LOUIS CROFT, WILLIAM
D
DAGINCOURT [D`AGINCOURT], FRANÇOIS DANDRIEU, JEAN-FRANÇOIS - - Book I, Suite I (1724) - Book I, Suite II (1724) - Book I, Suite III (1724) - Book I, Suite IV (1724) - Book I, Suite V (1724) - Book II, Suite I (1728) - Book II, Suite II (1728) - Book II, Suite III (1728) - Book II, Suite IV (1728) - Book II, Suite V (1728) - Book II, Suite VI (1728) - Book III, Suite I (1734) - Book III, Suite II (1734) - Book III, Suite III (1734) - Book III, Suite IV (1734) - Book III, Suite V (1734) - Book III, Suite VI (1734) - Book III, Suite VII (1734) - Book III, Suite VIII (1734) - Le Concert des Muses (par la Deuxième Suite, Livre II, 1728) - Quatrième Suite en si mineur (Livre II, 1728) - Suite en re mineur (Livre « de jeunesse », 1705) - Troisième suite en mi mineur (Livre I, 1724) -
by F. De Luca
DAQUIN, LOUIS-CLAUDE DE ALMEIDA, FRANCISCO ANTONIO DE BOISMORTIER, JOSEPH-BODIN DE BURY, BERNARD DE LEONARDIS, MARTINO DE LUCA, FERNANDO - - - 6 Sinfonie Veneziane (2011): Sinfonia I in Mi minore - 6 Sinfonie Veneziane (2011): Sinfonia II in La minore - 6 Sinfonie Veneziane (2011): Sinfonia III in Do maggiore - 6 Sinfonie Veneziane (2011): Sinfonia IV in Fa maggiore - 6 Sinfonie Veneziane (2011): Sinfonia V in Re minore la Musichea - 6 Sinfonie Veneziane (2011): Sinfonia VI in Sol minore - Alma Redemptoris Mater (2016) - soprano: Maria Caruso - Cantata per Basso e continuo "Amor trafitto sono dal tuo strale" (1996) - Concerto in Sol Minore, detto il 'San Marco' (comp. ottobre 2016) - De profundis (2016) - basso: Enzo Borghetti - Fantasia c-moll - L'Arcadia in Gianicolo: Sonata I in re maggiore Diana e Atteone (dedicated to the composer Miguel Robaina) - L'Arcadia in Gianicolo: Sonata II in sol minore Acis Galatea e Polifemo - L'Arcadia in Gianicolo: Sonata III in sol minore Venere e Adone, ovvero La morte di Adone - L'Arcadia in Gianicolo: Sonata IV in la maggiore Amore e Psiche, ovvero Scherzi di Amore - L'Arcadia in Gianicolo: Sonata V in la minore Le Parnasse Français, ovvero intermezzo alla Franzosa - L'Arcadia in Gianicolo: Sonata VI in re maggiore Il bosco Parrasio, ovvero l'Apoteosi dell'Arcade pastore Falerno Ducande - La Rivolta di Masaniello, Sonata a capriccio in la minore - Salve Regina (2016) - soprano: Maria Caruso - Six Venetians Sonatas (2011): Sonata I in re maggiore (Il Redentore) - Six Venetians Sonatas (2011): Sonata II in sol minore (La Punta della Dogana) - Six Venetians Sonatas (2011): Sonata III in si b maggiore (Le rive del Brenta) - Six Venetians Sonatas (2011): Sonata IV in re minore (La Salute) - Six Venetians Sonatas (2011): Sonata V in fa maggiore (La Bragora) - Six Venetians Sonatas (2011): Sonata VI la minore (I fantasmi veneziani) - Sonata VI in sol minore per flauto dolce e b.c. - Sonata VII in do maggiore, in tre atti (1997) "La Rivoluzione Francese" - Sonata in Do Maggiore (comp. dicembre 2018; per il Genetliaco di Tosilla Musichea, 12 gennaio) - Sonata in re maggiore "La dimora di Eolo" (2008) - Sonata in sol minore "L'Aspide di Cleopatra" (dedicated to C. Hogwood) - Sonata no.01 in do maggiore La Commediante Veneziana (1996) - Sonata no.02 in fa minore "Armida abbandonata" (1996) - Sonata no.03 in fa maggiore "la Serenissima" (1996) - Sonata no.04 in re minore "Scilla e Cariddi" (1996) - Sonata no.05 in do minore "La nobile amante veneziana" (1997) - Sonata no.06 in sol maggiore La Commedia dell'Arte (1997) - Sonata no.07 in do maggiore, in tre Atti, La Rivoluzione Francese (1997) - Sonata no.08 in si b maggiore La Rivoluzione Americana (1997) - Sonata no.09 in fa# minore "il libertino cavaliere de Seingalt" (1997) - Sonata no.10 in si minore "L'ombra delle idee" (1997) - Sonata no.11 in la maggiore "Il 'Candide' di Voltaire" (1997) - Sonata no.12 in mi maggiore "'Il nipote di Rameau' di Diderot" (1997) - Triosonata VI da chiesa in Sol Minore "San Martino", per 2 violini e continuo (2014) - la Rodelinde - memento mori (improvvisazione per il 14 aprile 2009, ad Handel) -
by F. De Luca
DE NEBRA, JOSÉ DE NEUFVILLE, JOHANN JACOB DE ROSSI, LORENZO DELLA CIAIA, AZZOLINO BERNARDINO DEMARS [DE MARS], CHARLES DIEUPART, CHARLES-FRANÇOIS DORNEL, LOUIS-ANTOINE DOWLAND, JOHN DRAGHI, GIOVANNI BATTISTA DU MONT, HENRY DUFOUR, PIERRE THOMAS DUPHLY, JACQUES - - Book I, 1. Pièces en re mineur et majeur (1744) - Book I, 2. Pièces en ut mineur et majeur (1744) - Book II, 1. Pièces en re majeur et mineur (1748) - Book II, 2. Pièces en la majeur et mineur (1748) - Book II, 3. Pièces en mi majeur (1748) - Book II, 4. Pièces en sol mineur (1748) - Book III, 1. Pièces en fa majeur et mineur (1758) - Book III, 2. Pièces en re majeur et mineur (1758) - Book III, 3. Pièces en sol, mi et la majeur (1758) - Book IV, Pièces de Clavecin, À Madame la Marquise De Juigné (1768) - La Forqueray - Rondeau - Rondeau -
by F. De Luca
DURANTE, FRANCESCO DUSSEK, JAN LADISLAV D`ANGLEBERT, JEAN-HENRY
E
EBERLIN, JOHANN ERNST ECCLES, JOHN
F
FAGO, NICOLA FALVETTI, MICHELANGELO FENAROLI, FEDELE FERRANDINI, GIOVANNI DOMENICO - Cantate drammatiche. Olivia Vermeulen, Harmonie Universelle, dir: Florian Deuter
recensione di M. Frigeni
FERRINI, GIOVANNI BATTISTA FIOCCO, JOSEPH-HECTOR FISCHER, JOHANN CASPAR FERDINAND - - 1. Suite I d-moll (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 2. Suite II F-Dur (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 3. Suite III a-moll (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 4. Suite IV C-Dur (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 5. Suite V e-moll (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 6. Suite VI D-Dur (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 7. Suite VII g-moll (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - 8. Suite VIII G-Dur (Op.2, Musikalisches Blumen-Büschlein, Rastatt 1698) - Musikalischer Parnassus (1736): Suite no.1 CLIO - Musikalischer Parnassus (1736): Suite no.2 CALLIOPE - Musikalischer Parnassus (1736): Suite no.3 MELPOMENE - Musikalischer Parnassus (1736): Suite no.4 THALIA - Musikalischer Parnassus (1736): Suite no.5 ERATO - Musikalischer Parnassus (1736): Suite no.6 EUTERPE - Musikalischer Parnassus (1736): Suite no.7 TERPSICHORE - Musikalischer Parnassus (1736): Suite no.8 POLYMNIA - Musikalischer Parnassus (1736): Suite no.9 URANIE - Suite IX d-Moll aus "Uranie" a Cembalo solo (Musikalischer Parnassus, 1736) -
by F. De Luca
FORQUERAY, ANTOINE FOUCQUET, PIERRE-CLAUDE FRANCOEUR, FRANÇOIS FREDERICK II, DER GROßE FRESCOBALDI, GIROLAMO FROBERGER, JOHANN JACOB FUX, JOHANN JOSEPH FÉVRIER, PIERRE
G
GABRIELI, GIOVANNI GALUPPI, BALDASSARE - L'inimico delle donne. Rinaldo Alessandrini, dir.
recensione di M. Frigeni
- - Divertimento in Do Maggiore (Marburg) - Divertimento in La Maggiore (Marburg) - Sonata "prima" in Si b Maggiore (Dresda) - Sonata "seconda" in Re Maggiore (Dresda) - Sonata 4.a in Do Maggiore (London) - Sonata I in Do Maggiore, Op.I (publ. Walsh - London, 1756) - Sonata I in Re Maggiore, Op.II (London, ca.1759) - Sonata II in Do Minore - Sonata II in Re Minore, Op.II (London, ca.1759) - Sonata III in Do Minore - Sonata III in Mi Minore, Op.II (London, ca.1759) - Sonata IV in Re Maggiore, Op.I (publ. Walsh - London, 1756) - Sonata IX in La Minore (München) - Sonata V in Do Maggiore - Sonata V in Fa Maggiore, Op.I (publ. Walsh - London, 1756) - Sonata V in Sol Maggiore, Op.II (London, ca.1759) - Sonata VI in Do Maggiore, Op.II (London, ca.1759) - Sonata VII in Sol Minore - Sonata XII in Fa Minore - Sonata XIII in Si bemolle Maggiore - Sonata in Re Maggiore (Bruxelles) - Sonata in Sol Minore per Organo o Cembalo - Sonata in do minore (original in d minor) - Sonata in re maggiore - Suonata I in Re Minore (Venezia) - Suonata II in Do Maggiore (Venezia) - Toccata in Fa Maggiore (Bruxelles) - Toccata in Re Minore (Bruxelles) -
by F. De Luca
GASPARINI, FRANCESCO GEMINIANI, FRANCESCO - - Concerto No.1 in Do Minore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.2 in Do Minore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.3 in Re Minore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.4 in Re Maggiore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.5 in Re Minore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) - Concerto No.6 in La Maggiore, from [6] Concerti Grossi Op.2 (1732), adapted to hpd (c.1762) -
by F. De Luca
GEOFFROY, JEAN-NICOLAS GERL, FRANZ XAVER - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
 di I. Chiappara
GHEYN, VANDEN, MATTHIAS GILLES, JEAN - Messe en ré - Te Deum. Les Passions - Orchestre baroque de Montauban, dir: Jean-Marc Andrieu
review by J. van Veen
GIUSTINI, LODOVICO GLUCK, CHRISTOPH WILLIBALD GRAUPNER, CHRISTOPH GRECO, GAETANO GREENE, MAURICE GRETRY, ANDRÈ-MODESTE GRÜNEWALD, GOTTFRIED GUGLIELMI, PIETRO ALESSANDRO
H
HANDEL, GEORGE FRIDERIC - Aci, Galatea e Polifemo. La Risonanza, dir: Fabio Bonizzoni
recensione di M. Frigeni
- Agrippina. René Jacobs, dir.
recensione di M. Frigeni
- Alcina. Marc Minkowski, dir.
recensione di L. Maltagliati
- Alessandro Severo. George Petrou, dir.
recensione di M. Frigeni
- Alessandro, opera in tre atti HWV 21. Max Emanuel Cencic, dir. George Petrou
recensione di M. Frigeni
- Ariodante. Alan Curtis, dir.
recensione di M. Frigeni
- Atalanta, opera in tre atti HWV 35. Philharmonia Baroque Orchestra, dir. Nicholas McGegan
recensione di M. Frigeni
- Athalia. Paul Goodwin, dir.
recensione di I. Chiappara
- Cantate 01: HWV 152, HWV 133, HWV 142, HWV 105. Roberta Mameli - Contrasto Armonico - dir. Marco Vitale
recensione di M. Frigeni
- Catone (1732). Auser Musici, Prina-Novaro-Invernizzi-Hammarström-Cirillo, dir: Carlo Ipata
recensione di M. Frigeni
- Complete Cantatas, Vol4. Contrasto Armonico, dir. Marco Vitale
recensione di I. Chiappara
- Didone abbandonata (1737) [Vinci, arr/Handel]. Lautten Compagney, Johannsen-Vermeulen-Giovannini-Böhme-Huh-Artsis, dir: Wolfgang Katschner
recensione di M. Frigeni
- Dietro l'orme fugaci. Armida abbandonata, HWV 105
di I. Chiappara
- Dixit Dominus. John Eliot Gardiner, dir.
recensione di D. Didona
- Dixit Dominus / Ode for the Birthday of Queen Anne / Zadok the Priest + Jean-Danican PHILIDOR: Batteries de timballes. Apollo's Singers - Apollo's Fire (The Cleveland Baroque Orchestra), Jeannette Sorrell, dir.
review by J. van Veen
- Dublino 1741-42. L'ultima svolta
di Zadok, aprile 2011
- Germanico. Ottaviano Tenerani, dir.
recensione di L. Maltagliati
- Giove in Argo. Il Complesso Barocco, dir. Alan Curtis
recensione di M. Frigeni
- Giulio Cesare in Egitto. Il Complesso Barocco, dir. Alan Curtis
recensione di M. Frigeni
- HIDDEN HANDEL. Ann Hallenberg - Il Complesso Barocco, dir. Alan Curtis
recensione di M. Frigeni
- Il Pastor Fido (1712). David Bates, dir.
recensione di M. Frigeni
- Italian Cantatas. Valentina Varriale, soprano - Ensemble "Musica Perduta" - R. Criscuolo, vlc/dir
recensione di M. Frigeni
- Messiah. [I] La Chapelle Rhénane, Dir: Benoît Haller [II] Apollo's Singers - Apollo's Fire (The Cleveland Baroque Orchestra), Dir: Jeannette Sorrell [III] Tafelmusik Baroque Orchestra and Chamber Choir, Dir: Ivars Taurins
review by J. van Veen
- - 6 Piccole Fughe [attr. Handel, probably spurious] - Air (Hornpipe) in d minor, HWV 461 ("book IV") - Air in A major, HWV 468 ("book IV") - Air in B flat major, HWV 470 ("book IV") - Air in B flat major, HWV 471 ("book IV") - Air in F major (with 2 variations), HWV 465 ("book IV") - Air in c minor, HWV 458 ("book IV") - Air in c minor, HWV 459 ("book IV") - Air in g minor, HWV 466 ("book IV") - Air in g minor, HWV 467 ("book IV") - Allegro in d minor, HWV 475 ("book IV") - Allemande in A major, HWV 477 ("book IV") - Allemande in F major, HWV 476 ("book IV") - Allemande in a minor, HWV 478 ("book IV") - Allemande in b minor, HWV 479 ("book IV") - Bourée in g minor ("Impertinence"), HWV 494 ("book IV") - Capriccio in F major, HWV 481 ("book IV") - Capriccio in g minor, HWV 483 ("book IV") - Chaconne in F major, HWV 485 ("book IV") - Chaconne in G with 21 variations (HWV 435) - Chaconne in g-minor, HWV 486 ("book IV") - Concerto in G major, HWV 487 ("book IV") - Courante in b minor, HWV 489 ("book IV") - Fantasia in C major, HWV 490 (London 1732-34) ("book IV") - Fantasia no. 1 in do maggiore (HWV deest) ("book IV") - Fantasia no. 2 in la minore (HWV deest) ("book IV") - Fantasia no. 3 in do maggiore (HWV deest) ("book IV") - Fantasia no. 4 in fa maggiore (HWV deest) ("book IV") - Fantasia no. 5 in re minore (HWV deest) ("book IV") - Fantasia no. 6 in si b maggiore (HWV deest) ("book IV") - Fantasia no. 7 in mi minore (HWV deest) ("book IV") - Fantasia no. 8 in sol minore (HWV deest) ("book IV") - Fantasia no. 9 in la maggiore (HWV deest) ("book IV") - Fantasia no.10 in sol maggiore (HWV deest) ("book IV") - Fantasia no.11 in mi maggiore (HWV deest) ("book IV") - Fantasia no.12 in do minore (HWV deest) ("book IV") - Fireworks Music a due cembali (from a Live Concert, 2011 Feb 5) - Fuga in F major, HWV 611 ("book IV") - Fuga n.1 in sol minore, HWV 605 ("book IV") - Fuga n.2 in sol maggiore, HWV 606 ("book IV") - Fuga n.3 in si b, HWV 607 ("book IV") - Fuga n.4 in si minore, HWV 608 ("book IV") - Fuga n.5 in la minore, HWV 609 ("book IV") - Fuga n.6 in do minore, HWV 610 ("book IV") - Funeral March from "Saul", HWV 53 (London 1738) - Gavotte in G major, HWV 491 ("book IV") - Gigue in F major, HWV 492 ("book IV") - Lesson in a minor, HWV 496 ("book IV") - March in G major, HWV 419/2 ("Ld. Loudon's March"; "book IV") - March in G major, HWV 419/3 ("Admiral Boscowin's March"; "book IV") - March, from "Judas Maccabaeus", HWV 63 (London 1747) - Menuet in B flat major, HWV 556 ("book IV") - Menuet in g minor, HWV 532 ("book IV") - Menuet in g minor, HWV 540b ("book IV") - Menuet in g minor, HWV deest (see HWV 434) ("book II&IV") - Ouverture in g-minor (HWV 453/1) ("book III") - Partita in A major, HWV 454 ("book III") - Partita in G major, HWV 450 ("book III") - Partita in G major, HWV 450 ("book III") - Partita in c minor, HWV 444 ("book III") - Prelude d-moll, HWV 561 - Preludio and Allegro in g minor, HWV 574 ("book IV") - Preludio and Capriccio in G, HWV 571 ("book IV") - Preludio and Capriccio in G, HWV 571 ("book IV") - Preludio in F major, HWV 567 ("book IV") - Preludio in a minor, HWV 575 ("book IV") - Preludio in d minor (Harpeggio), HWV 562 ("book IV") - Preludio in d minor, HWV 563 ("book IV") - Preludio in d minor, HWV 564 ("book IV") - Sinfonia II from "Saul", HWV 53 (London 1738) - Sinfonia from "The Choice of Hercules", HWV 69 (London 1750/51) - Sonata "Il Parnaso" (trascriptions for harpsichord by F. De Luca; dedicated to C. Hogwood) - Sonata in C major, HWV 578 (originally for carillon, c.1750) ("book IV") - Sonata in G major, HWV 579 ("book IV") - Sonata in g minor, HWV 580 ("book IV") - Sonatina in B flat major, HWV 585 ("book IV") - Sonatina in G major, HWV 582 ("book IV") - Sonatina in a minor, HWV 584 ("book IV") - Suite I/1733 in B flat major, HWV 434 ("book II") - Suite II/1733 = Chaconne in G major, HWV 435 (London 1733) ("book II") - Suite III/1733 in d minor, HWV 436 ("book II") - Suite IV/1733 in d minor, HWV 437 ("book II") - Suite IV/1733 in d minor, HWV 437 [new recording] ("book II") - Suite IV/1733 in d minor, HWV 437 [old 2006 recording] ("book II") - Suite IX/1733 = The Great Chaconne in G major with 62 variations, HWV 442 ("book II") - Suite V/1733 in e minor, HWV 438 ("book II") - Suite VI/1733 in g minor, HWV 439 ("book II") - Suite VII/1733 in B flat major, HWV 440 ("book II") - Suite VIII/1733 in G major, HWV 441 ("book II") - Suite VIII/1733 in G, HWV 441 ("book II") - Suite in c minor, HWV 445 ("book III") - Suite in d minor, HWV 437 (?Hamburg 1703-1706 Publ. Amsterdam 1732 & London 1733) - Suite in d minor, HWV 448 (?Hamburg 1704-1706) - Suite in d minor, HWV 448 (Live Concert 2007, Audio/Video) ("book III") - Suite in d minor, HWV 448 (new recording) ("book III") - Suite in d minor, HWV 449 ("book III") - Suite in d minor, HWV 449 ("book III") - Suite in d-min (1739) for the Princess Louisa, HWV 447 ("book III") - Suite in g minor, HWV 451 (partially lost; "book III") - Suite in g minor, HWV 453 ("book III"); possibly the Ouverture from "Nero", HWV 2 (Hamburg 1705) - Suite in g-min (1739) for the Princess Louisa, HWV 452 ("book III") - Suite in re minore, HWV 448 [old 2006 recording] ("book III") - Suite-Partita in C major, HWV 443 ("book III") + Chaconne in C major (49 var.), HWV 484 ("book IV") - The 8 Great Suites (1720): 1. Suite I in A Major, HWV 426 - The 8 Great Suites (1720): 2. Suite II in F Major, HWV 427 - The 8 Great Suites (1720): 3. Suite III in d Minor, HWV 428 - The 8 Great Suites (1720): 4. Suite IV in e Minor, HWV 429 - The 8 Great Suites (1720): 5. Suite V in E Major, HWV 430 - The 8 Great Suites (1720): 6. Suite VI in f# Minor, HWV 431 - The 8 Great Suites (1720): 7. Suite VII in g Minor, HWV 432 - The 8 Great Suites (1720): 8. Suite VIII in f Minor, HWV 433 - The Arrival of the Queen of Sheba, from "Solomon", HWV 67 (London 1748-9) - The Great Suites (1720), Suite I in A-major, HWV 426 ("book I") - The Great Suites (1720), Suite II in F-major, HWV 427 ("book I") - The Great Suites (1720), Suite III in d-minor, HWV 428 ("book I") - The Great Suites (1720), Suite IV in e-minor, HWV 429 ("book I") - The Great Suites (1720), Suite V in E-major, HWV 430 ("book I") - The Great Suites (1720), Suite VI in f-sharp-minor, HWV 431 ("book I") - The Great Suites (1720), Suite VII in g-minor, HWV 432 ("book I") - The Great Suites (1720), Suite VIII in f-minor, HWV 433 ("book I") - Toccata in g minor, HWV 586 ("book IV") - Triosonata in e minor, HWV 395 (Live Concert 2007, Audio/Video) - Water Music a due cembali (from a Live Concert, 2011 Feb 5) - [Transcription] [Aria] Pena tiranna io sento al core (Amadigi, 1715) - [Transcription] [Soli e Coro] Nel petto sento un certo ardor (Parnasso in Festa, 1734) - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto I in F major HWV 295 - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto II in A major HWV 296a - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto III in d minor HWV 328 - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto IV in G major HWV 319 - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto V in D major HWV 323 - [Transcription] A Second Set of Six Concertos for the Harpsichord or Organ: Concerto VI in g minor HWV 324 - [Transcription] Chaconne from "Terpsichore", HWV 8b (London 1734) - [Transcription] Concerto Grosso in d minor, Op.6/No.10, HWV 328 ("book V") - [Transcription] Concerto Grosso in g minor, Op.6/No.6, HWV 324 ("book V") - [Transcription] Dolce bene (from "Radamisto", see [Chrysander, vol. 48]) - [Transcription] Geloso tormento (Almira 1704; HWV 1) - [Transcription] Hornpipe in D major, HWV 356 ("book V") - [Transcription] Overture from "Admeto", HWV 22 (London 1727) - [Transcription] Overture from "Admeto", HWV 22 (London 1727) (the 2nd ouverture/ACT II) - [Transcription] Overture from "Agrippina", HWV 6 (Venezia 1709) - [Transcription] Overture from "Alceste", HWV 45 (London 1749-50) - [Transcription] Overture from "Alcina", HWV 34 (London 1735) - [Transcription] Overture from "Alessandro Severo", HWV A13 (London 1738) - [Transcription] Overture from "Alessandro", HWV 21 (London 1726) - [Transcription] Overture from "Alexander Balus", HWV 65 (London 1748) - [Transcription] Overture from "Alexander's Feast", HWV 75 (London 1736) - [Transcription] Overture from "Amadigi" (no.2), HWV 11 (London 1715) - [Transcription] Overture from "Amadigi", HWV 11 (London 1715) - [Transcription] Overture from "An Occasional Oratorio", HWV 62 (London 1746) - [Transcription] Overture from "Arianna in Creta", HWV 32 (London 1734) - [Transcription] Overture from "Ariodante", HWV 33 (London 1735) - [Transcription] Overture from "Arminio", HWV 36 (1736/37) - [Transcription] Overture from "Atalanta", HWV 35 (London 1736) - [Transcription] Overture from "Belshazzar", HWV 61 (London 1745) - [Transcription] Overture from "Berenice", HWV 38 (London 1737) - [Transcription] Overture from "Deidamia", HWV 42 (London 1741) - [Transcription] Overture from "Esther", HWV 50 (Cannons 1718) - [Transcription] Overture from "Ezio", HWV 29 (London 1732) - [Transcription] Overture from "Faramondo", HWV 39 (London 1738) - [Transcription] Overture from "Flavio", HWV 16 (London 1723) - [Transcription] Overture from "Floridante", HWV 14 (London 1721) - [Transcription] Overture from "Giulio Cesare", HWV 17 (London 1724) - [Transcription] Overture from "Giustino", HWV 37 (London 1737) - [Transcription] Overture from "Hercules", HWV 60 (London 1745) - [Transcription] Overture from "Il Parnasso in Festa", HWV 73 (London 1734) - [Transcription] Overture from "Il Pastor Fido" (no.1), HWV 8 (London 1712/34) - [Transcription] Overture from "Il Pastor Fido" (no.2), HWV 8 (London 1712/34) - [Transcription] Overture from "Imeneo", HWV 41 (London 1740) - [Transcription] Overture from "JEPHTHA", HWV 70 (London 1752) - [Transcription] Overture from "Joseph and his Brethren", HWV 59 (London 1744) - [Transcription] Overture from "Joshua", HWV 64 (London 1748) - [Transcription] Overture from "Judas Maccabaeus", HWV 63 (London 1747) - [Transcription] Overture from "Lotario", HWV 26 (London 1729) - [Transcription] Overture from "MESSIAH", HWV 56 (London 1742) - [Transcription] Overture from "Muzio Scevola", HWV 13 (London 1721) - [Transcription] Overture from "Orlando", HWV 31 (London 1733) - [Transcription] Overture from "Ottone, re di Germania", HWV 15 (London 1723) - [Transcription] Overture from "Partenope", HWV 27 (London 1730) - [Transcription] Overture from "Poro, Re dell'Indie", HWV 28 (London 1731) - [Transcription] Overture from "Radamisto", HWV 12 (London 1720) - [Transcription] Overture from "Riccardo I", HWV 23 (London 1727) - [Transcription] Overture from "Rinaldo", HWV 7 (London 1711) - [Transcription] Overture from "Rodelinda", HWV 19 (London 1725) - [Transcription] Overture from "Samson", HWV 57 (London 1743) - [Transcription] Overture from "Saul", HWV 53 (London 1738) - [Transcription] Overture from "Scipione", HWV 20 (London 1726) - [Transcription] Overture from "Semele", HWV 58 (London 1744) - [Transcription] Overture from "Serse", HWV 40 (London 1738) - [Transcription] Overture from "Siroe, re di Persia", HWV 24 (London 1728) - [Transcription] Overture from "Siroe, re di Persia", HWV 24/1 (London 1728) - [Transcription] Overture from "Solomon", HWV 67 (London 1749) - [Transcription] Overture from "Sosarme", HWV 30 (London 1732) - [Transcription] Overture from "Susanna", HWV 66 (London 1749) - [Transcription] Overture from "Susanna", HWV 66/1 (London 1749) - [Transcription] Overture from "Tamerlano", HWV 18 (London 1724) - [Transcription] Overture from "Teseo", HWV 9 (London 1713) - [Transcription] Overture from "Theodora", HWV 68 (London 1750) - [Transcription] Overture from "Tolomeo", HWV 25 (London 1728) - [Transcription] Overture-Sinfonia from "Athalia", HWV 51 (Oxford 1733) - [Transcription] Overture-Suite from "Almira", HWV 1 (Hamburg 1705) - [Transcription] Overture-Symphony from "Acis and Galatea", HWV 49 (Cannons 1718) - [Transcription] Per te lasciai la luce (Delirio amoroso 1707; HWV 99) - [Transcription] Sonata in c minor, HWV 366 (?Halle/Hamburg before 1707 or ?London 1711-12) - [Transcription] Watermusic (London 1716), HWV 348/349/350 - [Transcription] With darkness deep (Theodora 1749; HWV 68) - [Transcription] [Aria] Scherza infida in grembo al drudo - from "Ariodante" (London 1734) - [Transcription] [Chorus] Righteous Heav'n beholds their guile (Susanna, 1749) - [Transcription] [Chorus] The clouded scene begins to clear" (Athalia, 1733) -
by F. De Luca
- Theodora. Ivor Bolton, dir.
recensione di L. Maltagliati
HASSE, JOHANN ADOLF - Didone abbandonata (1742). Hofkapelle Muenchen, dir. Michael Hofstetter
recensione di M. Frigeni
- Harpsichord Sonatas. Luca Guglielmi, harpsichord
review by J. van Veen
- La Corte delle Muse - La Dresda di Augusto I il Forte e di Augusto II
 di I. Chiappara
- La Corte delle Muse - La Dresda di Augusto I il Forte e di Augusto II - J-A Hasse: Siroe, re di Persia
di I. Chiappara
- Marc'Antonio e Cleopatra. Matthew Dirst, dir.
recensione di M. Frigeni
- Marc’Antonio e Cleopatra. Le Musiche Nove, dir. Claudio Osele
recensione di M. Frigeni
- Sanctus Petrus et Sancta Maria Magdalena. Michael Hofstetter, dir.
recensione di M. Frigeni
- Siroe, re di Persia. Cencic/Lezhneva/Nesi/Fagioli/Snouffer/Sancho, Armonia Atenea, Dir: George Petrou
recensione di M. Frigeni
- - (BWV Anh. 130) Notenbüchlein für Anna Magdalena Bach (1725): Polonaise in G major (by J. A. Hasse?) - Fuga in d minor - Six Concertos: Concerto I in F Major (c1743) - Six Concertos: Concerto II in G Major (c1743) - Six Concertos: Concerto III in G Major (c1743) - Six Concertos: Concerto IV in D Major (c1743) - Six Concertos: Concerto V in F Major (c1743) - Six Concertos: Concerto VI in D Major (c1743) - Sonata No.1 in B flat major - Sonata No.2 in G major - Sonata No.3 in B flat major - Sonata No.4 in E flat major - Sonata No.5 in d minor - Sonata No.6 in c minor - Sonata No.6 in c minor [recorded 2013] - Sonata V in re minore - Sonata in do minore, Op.VII no.6 -
by F. De Luca
HAVINGHA, GERHARDUS HAYDN, JOSEPH HEINICHEN, JOHANN DAVID - La Gara degli Dei. Kammerorchester Carl Philipp Emanuel Bach, dir: Hartmut Haenchen
recensione di M. Frigeni
HELMONT, CHARLES JOSEPH VAN HENNEBERG, JOHANN BAPTIST - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
di I. Chiappara
HERTEL, JOHANN WILHELM HESELTINE, JAMES HOFFMANN, ERNST THEODOR AMADEUS - Les Fées à la Mode VII. Un'incursione nella Romantische Oper - Ernst Theodor Amadeus Hoffmann e l'Undine di Friedrich de la Motte-Fouqué (Berlino 1816)
di I. Chiappara
HURLEBUSCH, CONRAD FRIEDRICH HÄSSLER, JOHANN WILHELM
I
INSANGUINE, GIACOMO
J
JACQUET DE LA GUERRE, ELISABETH JAMES, JOHN JOLLAGE, CHARLES-ALEXANDRE JOMMELLI, NICCOLÒ JONES, RICHARD
K
KEEBLE, JOHN KELLNER, JOHANN PETER KELWAY, JOSEPH - - 1. Sonata I in A major (Six Sonatas for the Harpsichord, London, c1764) - 2. Sonata II in g minor (Six Sonatas for the Harpsichord, London, c1764) - 3. Sonata III in B flat major (Six Sonatas for the Harpsichord, London, c1764) - 4. Sonata IV in c minor (Six Sonatas for the Harpsichord, London, c1764) - 5. Sonata V in D major (Six Sonatas for the Harpsichord, London, c1764) - 6. Sonata VI in g minor (Six Sonatas for the Harpsichord, London, c1764) - Sonata VI in g-minor (1764) -
by F. De Luca
KERLL, JOHANN KASPAR KIRCHER, ATHANASIUS KOZELUCH, LEOPOLD KREBS, JOHANN LUDWIG KUHNAU, JOHANN - Frische Clavier-Früchte. Jan Katzschke, harpsichord
review by J. van Veen
- - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 1 in C - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 2 in D - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 3 in E - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 4 in F - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 5 in G - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 6 in A - Book I, Neuer Clavier-Übung, erster Theil (Leipzig, 1689): Partie Nr. 7 in B - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 1 in c - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 2 in d - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 3 in e - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 4 in f - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 5 in g - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 6 in a - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Partie Nr. 7 in h - Book II, Neuer Clavier-Übung, anderer Theil (Leipzig, 1692): Sonate in B - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 1 in g - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 2 in D - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 3 in F - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 4 in c - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 5 in e - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 6 in B - Book III, Frische Clavier Früchte (Leipzig, 1696): Suonata Nr. 7 in a - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 1 in C - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 2 in g - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 3 in G - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 4 in c - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 5 in F - Book IV, Biblischer Sonaten (Leipzig, 1700): Suonata Nr. 6 in Es - Partita IV f-moll -
by F. De Luca
L
LANDI, STEFANO LAPIS, SANTO - - Sonata I in Re Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata II in Sol Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata III in Do Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata IV in Fa Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata IX in Re Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata V in Si b Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata VI in Sol Minore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata VII in Re Minore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata VIII in La Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata X in Sol Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata XI in Do Maggiore (Sonnates pour le Clavessin, Den Haag 1746) - Sonata XII in Fa Maggiore (Sonnates pour le Clavessin, Den Haag 1746) -
by F. De Luca
LE ROUX, GASPARD LEBÈGUE, NICOLAS-ANTOINE LEGRENZI, GIOVANNI - Testamentum. Lia Serafini, Roberta Giua, soprano - Oficina Musicum, Dir: Riccardo Favero
review by J. van Veen
LEO, LEONARDO LO, VINCENT LO MUSCIO, MARCO LOCATELLI, PIETRO ANTONIO - Trio Sonatas. Ensemble Violini Capricciosi, Dir: Igor Ruhadze
review by J. van Veen
LOCKE, MATTHEW LOEILLET, JOHN LORENZINI, RAIMONDO LUCCHESI, ANDREA LULLY, JEAN-BAPTISTE LUZZASCHI, LUZZASCO
M
MAASMANN [MAAS-MANN PRUSSE], ALEXANDER MAICHELBECK, FRANZ ANTON - - 1. Sonata Prima, in Re Maggiore (Op.1, 1736) - 2. Sonata Seconda, in Fa Maggiore (Op.1, 1736) - 3. Sonata Tertia, in Re Minore (Op.1, 1736) - 4. Sonata Quarta, in Sol Maggiore (Op.1, 1736) - 5. Sonata Quinta, in Do minore (Op.1, 1736) - 6. Sonata Sesta, in Si bemolle Maggiore (Op.1, 1736) - 7. Sonata Settima, in Fa Minore (Op.1, 1736) - 8. Sonata Ottava, in La Maggiore (Op.1, 1736) -
by F. De Luca
MANFREDINI, VINCENZO MARAZZOLI, MARCO - La Festa barocca a Roma. La Giostra del Saracino del 1634 e la Giostra dei Caroselli del 1654 - Il mecenatismo dei Barberini - M. Marazzoli: occhi belli, occhi neri (Cantate romane)
di I. Chiappara
MARCELLO, BENEDETTO MARCELLO , ALESSANDRO MARCELLO , BENEDETTO - - Chiacona "La Stravaganza" (con 110 variazioni) - Sonata I in re minore, Op.3 - Sonata II in sol maggiore, Op.3 - Sonata III in do maggiore, Op.3 - Sonata IV in sol minore, Op.3 - Sonata IV in sol minore, Op.3 [recorded 2013] - Sonata IX in la maggiore, Op.3 - Sonata V in fa maggiore, Op.3 - Sonata VI in re minore, Op.3 - Sonata VII in la minore, Op.3 - Sonata VIII in si bemolle maggiore, Op.3 - Sonata X in sol minore, Op.3 - Sonata XI in re maggiore, Op.3 - Sonata XII in do minore, Op.3 - [obsolete recording] Sonata IV in sol minore, Op.3 -
by F. De Luca
MARCHAND, LOUIS MARPURG, FRIEDRICH WILHELM MARTINES, MARIANNA MARTINI, GIOVANNI BATTISTA MARTÍNEZ, MARIANNE (VON) MATTHESON, JOHANN MATYAS, THOMAS MAZZOCCHI, DOMENICO MAZZONI, ANTONIO MONTEVERDI, CLAUDIO MOYREAU, CHRISTOPHE MOZART, LEOPOLD MOZART, WOLFGANG AMADEUS - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
di I. Chiappara
- - Fantasie c-moll, K.475 (Vienna 1785) - Fantasie d-moll, K.397 - Präludium (Fantasie) und Fuge C Dur, K.394/383a - Sonata No.01 in C Major, K.279/189d (München 1774-5) - Sonata No.02 in F Major, K.280/189e (München 1774-5) - Sonata No.08 in a minor, K.310/300d (Paris 1778) - Sonata No.09 in D Major, K.311/284c, Op.4/II (Mannheim 1777) - Sonata No.11 in A major, K.331/300i "Alla Turca" (Wien? c.1783) - Sonata No.12 in F Major, K.332/300k, Op.6/III (Wien-Salzburg 1783) - Sonata No.13 in B-flat major, K.333/315c "Linz" (Linz/Wien 1783/4) - Sonata No.14 in c minor, K.457 (Vienna 1784) - Sonata No.16 in C Major, K.545 "Semplice" (Wien 1788) - Sonata No.16 in C major, K.545 "Semplice" (Wien 1788) [recorded 2012] - Sonata No.18 in D major, K.576 "Trumpet" or "Hunt" (Wien 1789) - Suite in C major, K.399 (1782; fragm.) - Wiener Sonatine No.1, K.439b (K.Anh.229/1) - Wiener Sonatine No.2, K.439b (K.Anh.229/2) - Wiener Sonatine No.3, K.439b (K.Anh.229/3) - Wiener Sonatine No.4, K.439b (K.Anh.229/4) - Wiener Sonatine No.5, K.439b (K.Anh.229/5) - Wiener Sonatine No.6, K.439b (K.Anh.229/6) - [Transcription] Ave Verum Corpus, k618 (Baden 1791) -
by F. De Luca
MUFFAT, GOTTLIEB MYSLIVECEK, JOSEF - Medonte. L'Arte del Mondo, dir. Werner Ehrhardt
recensione di M. Frigeni
- Medonte. Storia di un'Opera in Musica
di I. Chiappara
MÉHUL, ETIENNE-NICOLAS
N
NEEFE, CHRISTIAN GOTTLOB NICHELMANN, CHRISTOPH NOBLET, CHARLES
P
PACHELBEL, JOHANN - - 01. Suite I in C major, P428/T301 - 02. Suite II in c minor, P429/T302 - 03. Suite III in C# minor, P430/T303 - 04. Suite IV in D major, P431/T304 - 05. Suite V in d minor, P432/T305 - 06. Suite VI in Eb major, P433/T306 - 07. Suite VII in E major, P434/T307 - 08. Suite VIII in e minor, P435/T308 - 09. Suite IX in e minor, P436/T309 - 10. Suite X in F major, P437/T310 - 11. Suite XI in F major, P438/T311 - 12. Suite XII in f# minor, P439/T312 - 13. Suite XIII in G major, P440/T313 - 14. Suite XIV in g minor, P442/T315 - 15. Suite XV in g minor, P443/T316 - 16. Suite XVI in Ab major/minor, P444/T317 - 17. Suite XVII in A major, P445/T318 - 18. Suite XVIII in A minor, P446/T319 - 19. Suite XIX in B major, P447/T320 - 20. Suite XX in b minor, P448/T321 - Chaconne in C major, P38/T201 - Chaconne in D major, P39/T203 - Chaconne in D major, P40/T202 - Chaconne in F major, P42/T205 - Chaconne in f minor, P43/T206 - Ciaccona f-moll - Fantasia I in d minor, P124/T252 - Fantasia II in d minor, P125/T253 - Fantasia III in a minor, P126/T256 - Hexachordum Apollinis (1699): 1. Aria I in d minor, P193/T211 - Hexachordum Apollinis (1699): 2. Aria II in e minor, P194/T212 - Hexachordum Apollinis (1699): 3. Aria III in F major, P195/T213 - Hexachordum Apollinis (1699): 4. Aria IV in g minor, P196/T214 - Hexachordum Apollinis (1699): 5. Aria V in a minor, P197/T215 - Hexachordum Apollinis (1699): 6. Aria Sebaldina in f minor, P198/T216 -
by F. De Luca
PAISIELLO, GIOVANNI PARADISI, PIETRO DOMENICO PARANT, JEAN-BAPTISTE PASQUINI, BERNARDO PEPUSCH, JOHANN CHRISTOPH PERGOLESI, GIOVANNI BATTISTA PESCETTI, GIOVANNI BATTISTA - - Sei Sonate - 1. Sonata I - Sei Sonate - 2. Sonata II - Sei Sonate - 3. Sonata III - Sei Sonate - 4. Sonata IV - Sei Sonate - 5. Sonata V - Sei Sonate - 6. Sonata VI - Sonata in do minore - Sonate per gravicembalo (Londra, 1739) - 01. Sonata I - Sonate per gravicembalo (Londra, 1739) - 02. Sonata II - Sonate per gravicembalo (Londra, 1739) - 03. Sonata III - Sonate per gravicembalo (Londra, 1739) - 04. Sonata IV - Sonate per gravicembalo (Londra, 1739) - 05. Sonata V - Sonate per gravicembalo (Londra, 1739) - 06. Sonata VI - Sonate per gravicembalo (Londra, 1739) - 07. Sonata VII - Sonate per gravicembalo (Londra, 1739) - 08. Sonata VIII - Sonate per gravicembalo (Londra, 1739) - 09. Sonata IX - Sonate per gravicembalo (Londra, 1739) - 10. Sonata X "Nel vello d'oro" - [obsolete recording] Sonata in do minore -
by F. De Luca
PEZOLD, CHRISTIAN PLATTI, GIOVANNI BENEDETTO - - Sonata I in re maggiore (Norimberga, 1742) - Sonata II in do maggiore (Norimberga, 1742) - Sonata III in fa maggiore (Norimberga, 1742) - Sonata IV in sol minore (Norimberga, 1742) - Sonata IX (no.3/1746) in sol maggiore (Norimberga, 1746) - Sonata V in do minore (Norimberga, 1742) - Sonata VI in mi maggiore (Norimberga, 1742) - Sonata VII (no.1/1746) in fa maggiore (Norimberga, 1746) - Sonata VIII (no.2/1746) in do minore (Norimberga, 1746) - Sonata VIII (no.2/1746) in do minore (Norimberga, 1746) [recorded 2013] - Sonata X (no.4/1746) in la minore (Norimberga, 1746) - Sonata XI (no.5/1746) in do minore (Norimberga, 1746) - Sonata XII (no.6/1746) in do maggiore (Norimberga, 1746) - [obsolete recording] Sonata in do minore -
by F. De Luca
POGLIETTI, ALESSANDRO PORPORA, NICOLA - Aminta – Cantate Pastorali. Marina De Liso, mezzosoprano - Stile Galante - Stefano Aresi, dir.
recensione di M. Frigeni
- Cantate per soprano. Maria Laura Martorana, soprano - Accademia Barocca "I Virtuosi Italiani", Alberto Martini, violino e dir.
recensione di M. Frigeni
- Germanico in Germania (1732). Capella Cracoviensis, Cenčić-Nesi-Idrisova-Bennani-Lezhneva-Sancho, dir: Jan Tomasz Adamus
recensione di M. Frigeni
- Porpora Cantatas. Iestyn Davies, controtenore. Jonathan Cohen, dir.
recensione di I. Chiappara
- Vespro per la Festività dell'Assunta. Martin Gester, dir.
recensione di I. Chiappara
- - [Transcription] Alto Giove (Polifemo 1735) -
by F. De Luca
PURCELL, DANIEL PURCELL, HENRY - Les Fées à la Mode V. A Midsummer Night's Dream - The Fairy Queen
di I. Chiappara
- - A Ground in Gamut, Z.645 - A Minuet in a Minor, Z.650 - A New Ground in e Minor, Z.T682 ("Here the Deities Approve" from "Welcome to All the Pleasures") - A New Ground: Welcome to all the pleasures, z339/3 (c.1689) - A New Irish Tune (Lilliburlero), Z.646 - A New Schotch Tune in G Major, Z.655 - A Song Tune in C Major, Z.T695 - Air (Minuet) in d Minor, Z.T676 - Air, Z.630/1 - Air, Z.641 - Air, Z.T693/2 - Aire, Z.T675 - Almand [Gavotte] in D Major, Z.D219/1 (spurious) - An Evening Hymn on a Ground (Z. 193; Harmonia Sacra, 1688) - soprano: M. Caruso - Borry [Saraband] in D Major, Z.D219/2 (spurious) - Chaconne, Z.T680 - Corant, Z.644 - Ground in c Minor, Z.D221/Z.T681 (attr. William Croft) - Ground in c Minor, Z.T681 - Ground in d Minor, Z.D222 - Hornpipe, Z.T683 - Hornpipe, Z.T685 - Jigg, Z.D223 - Jigg, Z.T686 - March in C Major, Z.647 - March in C Major, Z.648 - March, Z.T687 - Minuet in a Minor, Z.649 - Minuet, Z.651 - Minuet, Z.T688 - Musick for a While (Orpheus Britannicus, Book II, 1702) - soprano: M. Caruso - New Minuet, Z.T689 - Rigadoon in C Major, Z.653 - Round O, Z.T684 - Saraband with division in a Minor, Z.654 - Sefauchi's Farewell, Z.656 - Song Tune in C Major, Z.T694 - Suite No.1 Z660, in G Major - Suite No.2 Z661, in g Minor - Suite No.3 Z662, in G major - Suite No.4 Z663, in a Minor - Suite No.5 Z666, in C Major - Suite No.6 Z667, in D Major - Suite No.7 Z668, in d Minor - Suite No.8 Z669, in F Major - The Queen's Dolour. A Farewell, Z.670 - Trumpet Tune called the Cibell, Z.T678 - Trumpet Tune in C Major, Z.T697 (from "Dioclesian") - Trumpet Tune, Z.T698 - When I am laid (Z. 626; Dido and Aeneas) - soprano: M. Caruso - [ --- ] - [Transcription] Dido's Lament (Dido and Aeneas) - [Transcription] O solitude, my sweetest choice (Z. 406; 1687) - [Transcription] Passacaglia (King Arthur) - [Transcription] What power art thou (King Arthur) - [obsolete recording] 22 Pieces: Dances, Menuets and Grounds - [obsolete recording] Suite no.1 in G (Z.660) - [obsolete recording] Suite no.2 in g (Z.661) - [obsolete recording] Suite no.3 in G (Z.662) - [obsolete recording] Suite no.4 in a (Z.663) - [obsolete recording] Suite no.5 in C (Z.666) - [obsolete recording] Suite no.6 in D (Z.667) - [obsolete recording] Suite no.7 in d (Z.668) - [obsolete recording] Suite no.8 in F (Z.669) -
by F. De Luca
R
RAMEAU, JEAN-PHILIPPE - - L'Agaçante (Pieces de Clavecin en concerts, Paris 1741) - L'Indiscrette (Pieces de Clavecin en concerts, Paris 1741) - La Dauphine (1747) - La Livri (Pieces de Clavecin en concerts, Paris 1741) - La Timide (Pieces de Clavecin en concerts, Paris 1741) - Les Indes galantes, balet, reduit à quatre grands concerts (Paris, c1736) - Suite en La Mineur: Premier Livre de Pièces de Clavecin (Paris, 1706) - Suite en la mineur (1728) - Suite en mi mineur (1724) - Suite in La Mineur/Majeur (Nouvelles suites de pièces de clavecin, Paris 1727/28) - Suite in Mi Mineur/Majeur (Pièces de clavecin avec une méthode, Paris 1724) - Suite in Re Mineur/Majeur (Pièces de clavecin avec une méthode, Paris 1724) - Suite in Sol Majeur/Mineur (Nouvelles suites de pièces de clavecin, Paris 1727/28) -
by F. De Luca
REBEL, FRANÇOIS REINCKEN, JOHANN ADAM REUTTER, JOHANN GEORG RITTER, CHRISTIAN ROBAINA, MIGUEL ROMAN, JOHAN HELMICH ROSEINGRAVE, THOMAS ROSSI, LUIGI ROYER, JOSEPH-NICOLAS-PANCRACE RUTINI, GIOVANNI MARCO
S
SAINTE-COLOMBE, JEAN (DE) SALIERI, ANTONIO SAMMARTINI, GIOVANNI BATTISTA SANDONI, PIETRO GIUSEPPE SARDELLI, FEDERICO MARIA SARTI, GIUSEPPE SCARLATTI, ALESSANDRO SCARLATTI, DOMENICO - - Fandango 'del Sig. Scarlate' - K.001 - Sonata I in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.002 - Sonata II in Sol Maggiore ("Essercizi per Gravicembalo", London 1738) - K.003 - Sonata III in La Minore ("Essercizi per Gravicembalo", London 1738) - K.004 - Sonata IV in Sol Minore ("Essercizi per Gravicembalo", London 1738) - K.005 - Sonata V in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.006 - Sonata VI in Fa Maggiore ("Essercizi per Gravicembalo", London 1738) - K.007 - Sonata VII in La Minore ("Essercizi per Gravicembalo", London 1738) - K.008 - Sonata VIII in Sol Minore ("Essercizi per Gravicembalo", London 1738) - K.009 - Sonata IX in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.010 - Sonata X in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.011 - Sonata XI in Do Minore ("Essercizi per Gravicembalo", London 1738) - K.012 - Sonata XII in Sol Minore ("Essercizi per Gravicembalo", London 1738) - K.013 - Sonata XIII in Sol Maggiore ("Essercizi per Gravicembalo", London 1738) - K.014 - Sonata XIV in Sol Maggiore ("Essercizi per Gravicembalo", London 1738) - K.015 - Sonata XV in Mi Minore ("Essercizi per Gravicembalo", London 1738) - K.016 - Sonata XVI in Si b Maggiore ("Essercizi per Gravicembalo", London 1738) - K.017 - Sonata XVII in Fa Maggiore ("Essercizi per Gravicembalo", London 1738) - K.018 - Sonata XVIII in Re Minore ("Essercizi per Gravicembalo", London 1738) - K.019 - Sonata XIX in Fa Minore ("Essercizi per Gravicembalo", London 1738) - K.020 - Sonata XX in Mi Maggiore ("Essercizi per Gravicembalo", London 1738) - K.021 - Sonata XXI in Re Maggiore ("Essercizi per Gravicembalo", London 1738) - K.022 - Sonata XXII in Do Minore ("Essercizi per Gravicembalo", London 1738) - K.023 - Sonata XXIII in Re Maggiore ("Essercizi per Gravicembalo", London 1738) - K.024 - Sonata XXIV in La Maggiore ("Essercizi per Gravicembalo", London 1738) - K.025 - Sonata XXV in Fa diesis Minore ("Essercizi per Gravicembalo", London 1738) - K.026 - Sonata XXVI in La Maggiore ("Essercizi per Gravicembalo", London 1738) - K.027 - Sonata XXVII in Si Minore ("Essercizi per Gravicembalo", London 1738) - K.028 - Sonata XXVIII in Mi Maggiore ("Essercizi per Gravicembalo", London 1738) - K.029 - Sonata XXIX in Re Maggiore ("Essercizi per Gravicembalo", London 1738) - K.030 - Sonata XXX in Sol Minore ("Essercizi per Gravicembalo", London 1738) - K.031 - Sonata in Sol Minore - K.032 - Sonata in Re Minore - K.033 - Sonata in Re Maggiore - K.034 - Sonata in Re Minore - K.035 - Sonata in Sol Minore, K.35 - K.036 - Sonata in La Minore - K.037 - Sonata in Do Minore - K.043 - Sonata in Sol Minore - K.045 - Sonata in Re Maggiore - K.054 - Sonata in La Minore - K.058 - Sonata in Do Minore - K.060 - Sonata in Sol Minore - K.061 - Sonata in La Minore - K.067 - Sonata in Fa# Minore (transposed to f-min) - K.069 - Sonata in Fa Minore - K.072 - Sonata in Do Maggiore - K.084 - Sonata in Do Minore - K.102 - Sonata in Sol Minore - K.108 - Sonata in Sol Minore - K.109 - Sonata in La Minore - K.110 - Sonata in La Minore - K.111 - Sonata in Sol Minore - K.113 - Sonata in La Maggiore - K.119 - Sonata in Re Maggiore - K.120 - Sonata in Re Minore - K.121 - Sonata in Sol Minore - K.137 - Sonata in Re Maggiore - K.138 - Sonata in Re Minore - K.141 - Sonata in Re Minore - K.148 - Sonata in La Minore - K.149 - Sonata in La Minore - K.158 - Sonata in Do Minore - K.159 - Sonata in Do Maggiore - K.173 - Sonata in Si Minore - K.175 - Sonata in La Minore - K.179 - Sonata in Sol Minore - K.183 - Sonata in Fa Minore - K.184 - Sonata in Fa Minore - K.185 - Sonata in Fa Minore - K.186 - Sonata in Fa Minore - K.187 - Sonata in Fa Minore - K.191 - Sonata in Re Minore - K.195 - Sonata in Fa Maggiore - K.196 - Sonata in Sol Minore - K.204a - Sonata in Fa Minore - K.208 - Sonata in La Maggiore - K.209 - Sonata in La Maggiore - K.213 - Sonata in Re Minore - K.218 - Sonata in La Minore - K.227 - Sonata in Si Minore - K.238 - Sonata in Fa Minore - K.239 - Sonata in Fa Minore - K.293 - Sonata in Si Minore - K.315 - Sonata in Sol Minore - K.322 - Sonata in La Maggiore - K.323 - Sonata in La Maggiore - K.358 - Sonata in Re Maggiore - K.376 - Sonata in Si Minore - K.377 - Sonata in Si Minore - K.380 - Sonata in Mi Maggiore - K.386 - Sonata in Fa Minore - K.387 - Sonata in Fa Minore - K.408 - Sonata in Si Minore - K.409 - Sonata in Si Minore - K.450 - Sonata in Sol Minore - K.455 - Sonata in Sol Maggiore - K.466 - Sonata in Fa Minore - K.467 - Sonata in Fa Minore - K.475 - Sonata in Mi b Maggiore - K.476 - Sonata in Sol Minore - K.491 - Sonata in Re Maggiore - K.492 - Sonata in Re Maggiore - K.497 - Sonata in Si Minore - K.498 - Sonata in Si Minore - K.517 - Sonata in Re Minore - K.518 - Sonata in Fa Maggiore - K.545 - Sonata in Si b Maggiore - K.555 - Sonata in Fa Minore - Sonata (Gavotta) in re minore, K.64 - Sonata in re minore, K.77 -
by F. De Luca
SCHACK, BENEDICKT - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
di I. Chiappara
SCHAFFRATH, CHRISTOPH SCHEIBE, JOHANN ADOLPH SCHEIDT, SAMUEL SCHIEFERDECKER, JOHANN CHRISTIAN SCHIKANEDER, EMANUEL - Les Fées à la Mode VI. Wunderbare e Marchenoper nel teatro musicale tedesco e viennese alla fine del Settecento
di I. Chiappara
SCHOBERT, JOHANN SCHWANENBERGER, JOHANN GOTTFRIED SEIXAS, CARLOS (DE) SELLITTO, GIACOMO SHEELES, JOHN SIRET, NICOLAS SMITH, JOHN CHRISTOPHER (JR) - - Lesson II c-minor (from Lessons, 1755) - Op.1, Suites de Pieces pour le Clavecin (1732), 1. Suite I - Op.1, Suites de Pieces pour le Clavecin (1732), 2. Suite II - Op.1, Suites de Pieces pour le Clavecin (1732), 3. Suite III - Op.1, Suites de Pieces pour le Clavecin (1732), 4. Suite IV - Op.1, Suites de Pieces pour le Clavecin (1732), 5. Suite V - Op.1, Suites de Pieces pour le Clavecin (1732), 6. Suite VI - Op.2, Suites de Pieces pour le Clavecin (1735), 1. Suite I - Op.2, Suites de Pieces pour le Clavecin (1735), 2. Suite II - Op.2, Suites de Pieces pour le Clavecin (1735), 3. Suite III - Op.2, Suites de Pieces pour le Clavecin (1735), 4. Suite IV - Op.2, Suites de Pieces pour le Clavecin (1735), 5. Suite V - Op.2, Suites de Pieces pour le Clavecin (1735), 6. Suite VI - Sonata IX c-minor (from the Fifth Book of Ten Sonatas, 1765) -
by F. De Luca
SOLER, ANTONIO SOLER, VICENT MARTÍN I SORGE, GEORG ANDREAS SPERANZA, ALESSANDRO STANLEY, JOHN - - Op.5, 01. Voluntary I (1748) - Op.5, 02. Voluntary II (1748) - Op.5, 03. Voluntary III (1748) - Op.5, 04. Voluntary IV (1748) - Op.5, 05. Voluntary V (1748) - Op.5, 06. Voluntary VI (1748) - Op.5, 07. Voluntary VII (1748) - Op.5, 08. Voluntary VIII (1748) - Op.5, 09. Voluntary IX (1748) - Op.5, 10. Voluntary X (1748) - Op.6, 01. Voluntary I (1752) - Op.6, 02. Voluntary II (1752) - Op.6, 03. Voluntary III (1752) - Op.6, 04. Voluntary IV (1752) - Op.6, 05. Voluntary V (1752) - Op.6, 06. Voluntary VI (1752) - Op.6, 07. Voluntary VII (1752) - Op.6, 08. Voluntary VIII (1752) - Op.6, 09. Voluntary IX (1752) - Op.6, 10. Voluntary X (1752) - Op.7, 01. Voluntary I (1754) - Op.7, 02. Voluntary II (1754) - Op.7, 03. Voluntary III (1754) - Op.7, 04. Voluntary IV (1754) - Op.7, 05. Voluntary V (1754) - Op.7, 06. Voluntary VI (1754) - Op.7, 07. Voluntary VII (1754) - Op.7, 08. Voluntary VIII (1754) - Op.7, 09. Voluntary IX (1754) - Op.7, 10. Voluntary X (1754) -
by F. De Luca
STEFFANI, AGOSTINO - Mission. Cecilia Bartoli - I Barocchisti, dir. Diego Fasolis
recensione di I. Chiappara
STELLA, SIMONE STORACE, BERNARDO STRADELLA, ALESSANDRO STROZZI, BARBARA SWEELINCK, JAN PIETERSZOON
T
TARTINI, GIUSEPPE TELEMANN, GEORG PHILIPP - Flavius Bertaridus. Academia Montis Regalis, dir. Alessandro De Marchi
recensione di M. Frigeni
- Germanicus. Gotthold Schwarz, dir.
recensione di M. Frigeni
- Miriways. L’Orfeo Barockorchester, dir: Michi Gaigg
recensione di M. Frigeni
- - (BWV Anh. 126) Notenbüchlein für Anna Magdalena Bach (1725): Musette in D major (by G. P. Telemann?) - Douzaine 1. Fantasia No. 01 D-dur / Fantasia No. 02 d-moll (TWV 33:1,2) - Douzaine 1. Fantasia No. 03 E-dur / Fantasia No. 04 e-moll (TWV 33:3,4) - Douzaine 1. Fantasia No. 05 F-dur / Fantasia No. 06 f-moll (TWV 33:5,6) - Douzaine 1. Fantasia No. 07 G-dur / Fantasia No. 08 g-moll (TWV 33:7,8) - Douzaine 1. Fantasia No. 09 A-dur / Fantasia No. 10 a-moll (TWV 33:9,10) - Douzaine 1. Fantasia No. 11 B-dur / Fantasia No. 12 Es-dur (TWV 33:11,12) - Douzaine 2. Fantasia No. 01 c-moll / Fantasia No. 02 C-dur (TWV 33:13,14) - Douzaine 2. Fantasia No. 03 h-moll / Fantasia No. 04 D-dur (TWV 33:15,16) - Douzaine 2. Fantasia No. 05 g-moll / Fantasia No. 06 B-dur (TWV 33:17,18) - Douzaine 2. Fantasia No. 07 a-moll / Fantasia No. 08 A-dur (TWV 33:19,20) - Douzaine 2. Fantasia No. 09 e-moll / Fantasia No. 10 G-dur (TWV 33:21,22) - Douzaine 2. Fantasia No. 11 g-moll / Fantasia No. 12 B-dur (TWV 33:23,24) - Douzaine 3. Fantasia No. 01 F-dur / Fantasia No. 02 d-moll (TWV 33:25,26) - Douzaine 3. Fantasia No. 03 e-moll / Fantasia No. 04 G-dur (TWV 33:27,28) - Douzaine 3. Fantasia No. 05 g-moll / Fantasia No. 06 c-moll (TWV 33:29,30) - Douzaine 3. Fantasia No. 07 A-dur / Fantasia No. 08 a-moll (TWV 33:31,32) - Douzaine 3. Fantasia No. 09 h-moll / Fantasia No. 10 D-dur (TWV 33:33,34) - Douzaine 3. Fantasia No. 11 Es-dur / Fantasia No. 12 B-dur (TWV 33:35,36) - Ouvertüre No.1 (Suite) g-Moll TWV 32:5 - Ouvertüre No.2 (Suite) A-Dur TWV 32:6 - Ouvertüre No.3 (Suite) F-Dur TWV 32:7 - Ouvertüre No.4 (Suite) e-Moll TWV 32:8 - Ouvertüre No.5 (Suite) Es-Dur TWV 32:9 - Ouvertüre No.6 (Suite) h-Moll TWV 32:10 -
by F. De Luca
TERRADELLAS, DOMÈNEC TINAZZOLI, AGOSTINO TOMEONI, PELLEGRINO TRAETTA, TOMMASO TRAVERS, JOHN TURNER, ELIZABETH TURRINI, FERDINANDO GASPARO
V
VALENTE, ANTONIO VAN NOORDT, SYBRANDUS VENEZIANO, GAETANO VERACINI, FRANCESCO MARIA - Adriano in Siria. Ann Hallenberg - Invernizzi - Prina - Basso - Cirillo - Guagliardo / Europa Galante, dir: Fabio Biondi
recensione di M. Frigeni
VINCI, LEONARDO - Artaserse. Concerto Koln, dir. Diego Fasolis
recensione di L. Maltagliati
- Fileno - Cantate per soprano. Galli-Cassinari, dir. Stefano Aresi
recensione di I. Chiappara
- La Partenope. I Turchini di Antonio Florio, dir. Antonio Florio
recensione di M. Frigeni
- Roma 1730: L'Artaserse. Leonardo Vinci, Metastasio e il Teatro delle Dame
di I. Chiappara
- Siroe, re di Persia (1726). Orchestra del Teatro di San Carlo, Alunno-Invernizzi-Allemano-Visco-Salvo-Cervoni, dir: Antonio Florio
recensione di M. Frigeni
VIVALDI, ANTONIO - Arie per tenore. Diego Fasolis, dir.
recensione di M. Frigeni
- CUPIDO TU VEDI - Concerti e Cantate. Accademia Ottoboni
recensione di I. Chiappara
- Catone in Utica. Il Complesso Barocco, dir: Alan Curtis
recensione di M. Frigeni
- Concerti per archi, Volume II. Concerto Italiano
, dir: Rinaldo Alessandrini
recensione di M. Frigeni
- Concerti per fagotto, vol2. Sergio Azzolini (fagotto) - L'Aura Soave Cremona
recensione di M. Frigeni
- Concerti per violino IV "L'imperatore". Riccardo Minasi, violino e dir.
recensione di M. Frigeni
- Ercole sul Termodonte. Fabio Biondi, dir.
recensione di M. Frigeni
- Farnace. Diego Fasolis, dir.
recensione di I. Chiappara
- Il Teuzzone. Le Concert des Nations - Jordi Savall, dir.
recensione di M. Frigeni
- L'Oracolo in Messenia. Europa Galante, dir. Fabio Biondi
recensione di M. Frigeni
- L'incoronazione di Dario. Accademia Bizantina, dir:
Ottavio Dantone
recensione di M. Frigeni
- La Repubblica a Teatro: Venezia nel Settecento. Vivaldi - Opera Arias and Concertos (K. Hammarström / Concerto de’ Cavalieri / M. Di Lisa)
di I. Chiappara
- Opera Arias. Roberta Invernizzi
recensione di M. Frigeni
- Orlando 1714. Modo Antiquo, dir. Federico Maria Sardelli
recensione di M. Frigeni
- Ottone in Villa (Edizione Brilliant Classics). Federico Guglielmo, dir.
recensione di M. Frigeni
- Ottone in Villa (Edizione Naïve). Giovanni Antonini, dir.
recensione di M. Frigeni
- - [Transcription] Armatae face et anguibus (Juditha triumphans, 1716) - [Transcription] Concerto in La Minore Op.3 No.6 (RV 356) - [Transcription] Concerto in La Minore Op.4 No.4 (RV 357) - [Transcription] Concerto in Re Minore Op.3 No.11 (RV 565) - [Transcription] Concerto in Sol Minore (RV 157) - [Transcription] [Aria] Gelido in ogni vena" (Farnace, 1727) - [obsolete recording] [Transcription] Concerto in Re Minore, no.11 Op.3 (RV 565) -
by F. De Luca
W
WALOND, WILLIAM WEBER, CARL MARIA VON - Les Fées à la Mode VII. Un'incursione nella Romantische Oper - Ernst Theodor Amadeus Hoffmann e l'Undine di Friedrich de la Motte-Fouqué (Berlino 1816)
di I. Chiappara
WISE, SAMUEL WITT, CHRISTIAN FRIEDRICH
Z
ZACHOW, FRIEDRICH WILHELM ZIPOLI, DOMENICO
(Compositori / Composers)
1612 Italian Vespers. I Fagiolini, dir. Robert Hollingworth
recensione di I. Chiappara
A Tribute to Faustina Bordoni. Vivica Genaux - Cappella Gabetta - dir. Andres Gabetta
recensione di M. Frigeni
Agrippina: Graun, Handel, Perti, Porpora. Ann Hallenberg - Il Pomo d'Oro, dir: Riccardo Minasi
recensione di M. Frigeni
Alleluia. Julia Lezhneva, soprano - Il Giardino Armonico, dir. Giovanni Antonini
review by J. van Veen
Amore e morte dell’amore. Invernizzi - Prina - Minasi, Ensemble Claudiana, Dir: Luca Pianca
review by J. van Veen
Arias for Anna de Amicis. Teodora Gheorghiu, soprano. Christophe Rousset, dir.
recensione di M. Frigeni
Cantar bastardo. Il cantare alla viola - La viola da gamba e il suo successo nelle Corti italiane del Cinquecento - Marco Scavazza (voce), Cristiano Contadin (viola da gamba)
di I. Chiappara
Carmelite Vespers 1709. Alessandro De Marchi, dir.
recensione di M. Frigeni
Castello & Co: Venetian sonatas for winds and strings from the 17th century. Caecilia-Concert
review by J. van Veen
Christmas at San Marco. Peter Kopp, dir.
recensione di M. Frigeni
Division-Musick: Baltzar Banister Eccles Jenkins Lawes Simpson. Musicke and Mirth
review by J. van Veen
Duetti. Philippe Jaroussky, Max Emanuel Cencic
recensione di L. Maltagliati
Ferveur & Extase. Stephanie d'Oustrac - Ensemble Amarillis
recensione di I. Chiappara
Fortuna Scherzosa. Ina Siedlaczek, soprano
- Hamburger Ratsmusik
recensione di M. Frigeni
Franco Fagioli. Arias for Caffarelli
di I. Chiappara
I viaggi di Faustina. Roberta Invernizzi, soprano - I Turchini, dir. Antonio Florio
recensione di M. Frigeni
Il Concerto delle viole Barberini. Ensemble Mare Nostrum - Vox Luminis, dir. Andrea De Carlo
recensione di I. Chiappara
Il mito dell'androgino nell'arte e nella musica barocca. Andrea Sacchi - Ritratto di Marcantonio Pasqualini (1641)
di I. Chiappara
Italian Love Cantatas. Silvia Vajente, soprano - Epoca Barocca
review by J. van Veen
L'Olimpiade. Venice Baroque Orchestra
recensione di M. Frigeni
La Meraviglia, Ohimè! degli Intermedi. Mostruoso e fantastico negli apparati delle feste medicee dal 1565 al 1589 - Sala dei Cinquecento e Teatro degli Uffizi - Gli Intermezzi della Pellegrina
di I. Chiappara
Le Retour de la Paix - Cantates et concerts royaux. Martin Gester, dir.
recensione di I. Chiappara
Les Fées à la Mode I. Napoli e Parigi capitali della fiaba barocca: l'opera e il meraviglioso nel Settecento
di I. Chiappara
Leçons de Ténèbres. In Musica Veritas
review by J. van Veen
Music from eighteenth-century Prague. Collegium Vocale 1704, Collegium 1704, Dir: Václav Luks
review by J. van Veen
Nel giardino incantato di Vignanello
di I. Chiappara
Passioni e Furori di Armida
di I. Chiappara
Passo di pena in pena - Cantate italiane. Flavio Ferri-Benedetti, alto - Ensemble Il Profondo
review by J. van Veen
Rinaldo (Napoli 1718) [Handel-Leo]. Orchestra 'La Scintilla', Iervolino-Remigio-Fernandez-Castellano-Ascioti-Savinova, dir: Fabio Luisi
recensione di M. Frigeni
Rival Queens. Simone Kermes / Vivica Genaux / Cappella Gabetta, dir: Andrés Gabetta
recensione di M. Frigeni
Ruckers 1604. Marco Vitale, spinet-virginal
recensione di Zadok
Sogno Barocco. Anne Sofie von Otter - Sandrine Piau - dir. Leonardo Garcia-Alarcon
review by J. van Veen
The Century of the Portuguese. Enrico Onofri, dir.
recensione di M. Frigeni
Un dolce affanno: Fux, Caldara, Ariosti. Calamus Consort
review by J. van Veen
Una Follia di Napoli - Concerti e Sinfonie per Flauto. Maurice Steger, recorder
review by J. van Veen
Versailles 1664-1674. Les Plaisirs de l'Ile Enchantée, maggio 1664 - Le Grand Divertissement Royal de Versailles, luglio 1668 - Les Divertissements de Versailles, luglio ed agosto 1674
di I. Chiappara
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